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Self-publishing means more than just uploading a manuscript to KDP or paying someone to publish your book. In a world domineered by traditional publishers who cherry-pick which manuscripts get to be published, self-publishing gives authors’ back their freedom and autonomy. This is because self-publishing gives authors—not publishers—the ability to decide that their stories are worthy of being heard.
Authors who self-publish their books feel the empowerment and fulfilment that self-publishing provides. When you hold your beautifully, professionally designed and printed book in your hands, and you know that you alone have ownership over it, it can be extremely rewarding. The satisfaction and pride you feel when you realise that you have made something that is out on bookshelves and in the hands of readers is unparalleled.
With the advancements of technology and the internet, self-publishing has become so much more accessible and viable for authors who want to publish their book outside of traditional means. It also means that authors can take more control of their publishing journey. There are many ways that you can self-publish a book, including completely independently through services like Kindle Direct Publishing, or assisted through a self-publisher or a hybrid publisher.
Choosing to publish your book without the assistance of a self-publisher / hybrid publisher can be quite difficult, but is possible. There are a few things you need to be aware of when considering this option:
Everyone would like to think that their book is perfect, but it’s rarely the case. Readers will be able to tell pretty quickly whether a boo has been edited or not. This means that it’s important to consider having someone—if not a professional editor, then a at least a well-read and literate friend/family member—look over your manuscript and correct any errors that are present. There are different kinds of editing, which we go over in our blog post about editing.
Everyone knows the saying “Don’t judge a book by its cover,” we’ve even said it a few times in other blog posts, and this is because it’s not true. The first thing that your potential readers will see when they look at your book is the cover. Your book cover is your front-line marketing salesman—its main purpose is to persuade readers to first pick the book up and then to keep it. Having a professional designer create your book cover is an excellent way to ensure that you’re presenting your book well to your potential readers.
The design of a book’s interior is just as important as the book cover, only for different reasons. It focuses on the look of a books interior and how the design interacts with the text, but also focuses on readability, searchability, and accessibility. This means that if your book is typeset correctly, the readers will have an enjoyable reading experience and won’t be distracted by errors in typesetting that draw their eye. If you’re unsure if you can do this properly, it’s always best to hire a professional.
While there are some exceptions (read our blog post on ISBNs), every book in the market is required to have an ISBN. ISBNs are International Standard Book Numbers that are required by distributors and retailers for sales tracking and cataloguing purposes. Because ISBNs are unique to their assigned book, while titles and covers can be very similar to each other, ISBNs are instrumental to your book’s online searchability. You must purchase an ISBN for your book. If you live and publish in Australia, Thorpe Bowker is the ISBN provider you need.
Most if not all self-publishers and hybrid publishers have connections to printers. If you publish your book completely independently, however, you’ll have to approach printers yourself to discuss printing. This can be daunting and confusing as there are many different options out there regarding printers, book formats, paper types, and more.
If you publish your book through services like KDP, you will automatically be set up on Amazon and can then take it further by approaching other retailers to sell your book. Some online retailers do have specific requirements regarding the formatting and distribution of their books, so make sure to check their guidelines before you publish on them. Bookstore distribution can be a little difficult for self-published authors. This is because bookstores are wary of the quality and sales-value of self-published books as some authors cut corners and do not properly produce their books.
Self-published authors have to work hard and continuously to get their books into the minds of readers, but there are certainly strategies that can help. For help on how to do this, read our blog post on marketing for self-published authors.
If you decide to publish your book through a self-publisher / hybrid publisher, they will usually assist you with all aspects of your publishing journey. This is not to say that they will force you to do something you don’t want to, however. You, the author, are still the primary authority on all decisions made during the publishing process of your book.
When you choose to go with a self-publisher or hybrid publisher, you can get assistance you with the following:
Whether they do this in-house or out-source editing to partnered companies, they will help you to get your book professionally edited.
These companies often have their own design studios or out-source to freelance designers. It’s good to look at their past covers to determine whether you’re happy with the quality of work they can produce.
As I said earlier, printers and publishing companies deal with each other often and usually have connections with one another. When choosing to go with a publisher, they will advise you on format, paper, appropriate printers, and more, taking the stress out of this step.
Not all self-publishing companies do this, but reputable ones provide their authors with an ISBN and enable their book for distribution with online retailers. Some also have contacts or a good reputation with bookstore distributors and retailers and can help you get your book into places like that, too.
Some companies offer marketing services, some don’t. It’s best to do your research when deciding on which company to go with. Green Hill offers marketing services on an hourly basis to our authors.
In the same vein as maintaining control, self-publishing also allows authors to exert control over the creative aspects of their publishing journey, both the book itself and the author’s “author persona”.
Only extremely established authors in the traditional publishing sphere have any kind of say over their book cover or typesetting design. On the other hand, self-published authors maintain control over the design of their book—both the cover and the typesetting.
This can happen in one of two ways:
Many traditionally published authors are forced to have their social media accounts filtered by a marketing team. Meanwhile, as a self-published author, you have complete control over your author persona and how you present yourself to readers. More on this point later in point 4.
Having your book published through traditional means could anywhere from 12 months and three years. This doesn’t even account for the time it takes to find and be accepted by a literary agent or the time it takes for a publisher to accept your manuscript for publishing. On the contrary, self-publishers and hybrid publishers are much quicker plus you don’t have to worry about finding a literary agent. If things go smoothly, you could be holding your book in 6-8 weeks—this is the timeline you’ll get with Green Hill Publishing. That is an undeniably more appealing timeline, right?
A short timeline like this can be especially important for those with ill loved ones, or businesses with strict deadlines that need to be met. It also means that you won’t have to wait a year or more to see your idea be fully realised and achieve the dream of being a published author.
Your timeline with self-publishing can be pushed out if you get editing, ghost writing, illustration, or other extra production services. However, if your self-publisher or hybrid publisher suggests these things, it’s usually for a reason. It’s up to you whether you decide to take it on board or not.
To be in control of your author persona means that you are in charge of your social media, your book events, your launches, your website—everything. In doing this, you have the freedom to interact with your readers in your own way. You can interact with what people are posting about you as an author and your book, allowing you to answer their questions, pose your own, receive feedback, and interact with their creativity (e.g. fanart and fanfiction).
Self-published authors also have control over their own marketing. This includes promotional social media marketing, book launches and events, and author websites. When you have control over these aspects of your author persona, you can write your own blog posts, host your own livestreams and webinars, create videos and graphics, and use any number of other marketing strategies to ger your readers to interact with you and each other. This all means that you can present your author persona how you want—choosing your own aesthetic and strategies without the influence of a marketing team. This lets you show your readers the real you.
Doing all of this fosters a closer relationship between author and audience, building a community of loyal fans and helping you to appreciate your readers more.
Typically, traditionally published authors only see a small percentage of their book’s profits. This can be around 10-15%. On the other hand, self-published authors receive a much higher percentage. If you put time into your publishing project—from the first spark of inspiration, to having a professionally edited and designed book, to organising printing, and finally to marketing—you as a self-published author could see 70% or more of your book’s profits. This is a much higher percentage and more fairly reflects the effort and work that you, the author, have put into your book.
For many authors, this means that their writing is funded and their career as an author is viable financially. While financial success is not guaranteed for authors—self-published and traditionally published alike—self-published authors not only receive more of their sales profits, they can better control their income and what they invest in, like publicists, agents, and their next publishing project.
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If you’re a self-published author struggling to properly price your book’s RRP, you’re not alone. Your book’s price directly impacts how well your book will sell and how much you make for each of your sales, so it’s important to get it right.
Price your book too low and you might struggle to earn what your time and hard work is due. Price it too high, however, and potential readers are likely to forgo your book for a cheaper option. Finding the right balance is crucial, but there are some factors that will help you figure things out.
RRP stands for Recommended Retail Price. It’s the price you suggest that retailers, both global online shops and local bookstores, use when selling your book.
A number of things impact what your RRP should be set at. We’ve named a few below:
• Distribution channels
• Print costs
• Print quality
• Genre/audience standards
To price your book effectively, it’s a good idea to understand your distribution model and research similar books in your genre and target audience.
The RRP of your book is more than just a number—it plays a key role in attracting readers and boosting your book sales. A well-planned RRP helps you connect with your target audience and increase your earnings as an author, so it’s important to put some consideration into it.
The RRP, however, isn’t the be-all end-all for retailers when pricing your book. It’s an indication of the price they should set, but it isn’t a hard-and-fast rule. Retailers can set your book price at whatever they like—without consultation from the author.
While this is true, the RRP is still a retailer’s first indication of what your book is “worth”. If they don’t believe that they can sell the book at that price and return a just profit for themselves, they may not stock your book at all.
Distribution plays a key role in determining your Recommended Retail Price (RRP) since costs vary greatly depending on the method. Understanding distribution costs is essential to setting competitive RRPs and maximising profit margins.
Print-on-Demand (POD) platforms like Amazon KDP and IngramSpark simplify self-publishing by printing books as orders come in, eliminating the need to stock books in a warehouse, shed, or your back room. Using POD also means that you don’t have to fork-out the upfront cost of bulk print, which is a gamechanger for indie authors.
However, POD convenience does come with a different kind of price tag: they take a cut from your royalties.
When you set your book’s RRP for POD, ensure it covers both printing and distribution costs while leaving room for profit. Both Amazon KDP and IngramSpark have calculators that you can use either to estimate (before setting up your title on their platforms) or finalise (once you’ve uploaded your final files) your RRP to ensure your royalties are looking good.
If you’re self-publishing and selling books yourself (either through your dedicated author website, at local events, or through your author social media accounts), you cut the retailer out and can make more royalties from each sale.
A good rule of thumb is to set your recommended retail price (RRP) at three times the per-unit cost of your print order. This approach covers production costs, allows for discounts when needed, and ensures you earn a solid profit.
For example, if printing each book costs you $5 per copy (unit), setting your RRP at $15 is a good starting point. Then, you should consider what other books in your audience and genre are and see if you can match-up to their pricing.
When thinking about pricing your book, the main market factors to focus on are the genre, format, and target audience. Readers usually have a price point that they’re willing to pay depending on their chosen genre and format, so it’s a good idea to know where your book will stand. Here’s a quick guide:
Many authors assume a low RRP will attract more buyers, but if it doesn’t cover production costs, you risk earning zero royalties—or worse, losing money.
To maximise your royalties and avoid losing money, carefully calculate costs before distribution and set your RRP to guarantee profit. Don’t let all your hard work as an author lead to financial loss.
While setting your RRP too low can be damaging, raising it too high can be just as bad. Some readers will happily spend $30 or more books, but this doesn’t suit everyone. Most book buyers want affordable options and will often opt for a cheaper book over yours regardless of which is considered better.
When pricing your book, consider the following:
By understanding your audience and highlighting the realistic value of your book, you can set a competitive price and attract more readers, helping to boost your sales and profitability.
When pricing your book, consider how different formats impact costs and set your RRP to reflect this. Here’s a quick guide to book pricing:
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Self-publishing isn’t just for memoirs and family histories – it’s a fantastic option for fantasy novels, too! It offers a direct way for authors to share their unique and imaginative stories no matter how niche or controversial their topics may be.
Self-publishing offers a fantastic opportunity for fantasy authors. This approach is not just viable; it also provides numerous advantages. Let’s explore some reasons why:
Fantasy writing emphasises detailed world-building and character development across multiple books. As a self-published author, you have complete control! You decide the length of your series, control the pacing, and bring your creative vision to life without restrictions.
Unlike traditional publishers that often impose limits on series length and story changes, self-publishing lets you carve your own path. Picture creating a vast fantasy realm filled with rich histories and diverse cultures. Self-publishing empowers you to connect every aspect of your story seamlessly, keeping readers captivated by your attention to detail.
Creating a series of fantasy book over a standalone also helps build a loyal fan base. Readers love diving into ongoing adventures, and you can keep them engaged with each new release.
Fantasy literature goes beyond just dragons and wizards; it’s a rich genre that embraces diverse themes and intricate narratives. Self-publishing empowers authors to explore niche or unconventional topics that often don’t fit the traditional publishing mould. Whether you want to blend fantasy with cyberpunk elements, delve into dark, morally complex characters, or explore controversial political themes through a fantasy lens, self-publishing gives you the creative freedom to do so.
This unique ability to break boundaries appeals to readers who are over having fantasy gatekept and instead crave fresh perspectives and original storytelling. Additionally, niche topics often attract dedicated audiences. By engaging with these communities, you can build a loyal readership that champions your work and shares it with others.
Still unsure if self-publishing your fantasy novel is the right choice? Have a look at some inspiring success stories of other fantasy authors who started their journey self-published:
Will Wight’s Cradle series shines as a prime example of how self-publishing can achieve massive success. Wight used Amazon’s Kindle Direct Publishing (KDP) to launch his epic fantasy series, which were his debut novels. With engaging characters and a captivating storyline, he captured the hearts of fantasy fans worldwide and became a New York Times and Kindle best-selling author.
Wight consistently released new content and actively engaged with his audience on platforms like Reddit. By connecting with readers directly, he built a passionate following eager for each new instalment. The Cradle series consistently ranks high on Amazon’s charts, proving that self-publishing fantasy novels can lead to substantial financial rewards.
Sarah J. Maas’ Assassin’s Blade novella is a remarkable success in the fantasy genre. While most know her for her more recent achievements in traditional publishing, Maas started out by publishing stories online, independent of any publisher. These stories gained so much readership interest, she later gained a traditional publishing deal for her now-acclaimed debut Throne of Glass series.
This strategic choice allowed her to prove her story’s viability and readership long before a traditional publisher was on the scene.
Rachel Aaron’s Heartstrikers series is another prime example of successful self-publishing in the fantasy genre. By taking control of her writing career through self-publishing, Aaron created a captivating urban fantasy world filled with dragons, magic, and intricate plots. Her commitment to high-quality storytelling and effective marketing strategies built a loyal fan base and earned a host of positive reviews on platforms like Goodreads.
The Heartstrikers series not only showcases Aaron’s talent but also highlights the growing opportunities for self-published authors in today’s competitive market. This success story shows how writers can carve out their niche, engage readers, and thrive as independent authors.
World-building is the backbone of any fantasy novel. Readers crave rich, immersive environments they can lose themselves in. Take the time to flesh out your world’s history, geography, cultures, and magic systems. However, consistency is key – ensure your world adheres to its own rules and logic.
Investing in world-building not only enhances your story’s depth but also lays the foundation for future instalments. Readers who connect with your world will eagerly anticipate returning to it with each new book.
Never underestimate the importance of a captivating book cover in attracting readers. Your book cover is more often than not a reader’s first impression of you and your book, making it a crucial marketing tool. Collaborating with a talented and experienced book cover designer who understands the nuances of the fantasy genre can greatly enhance your cover’s appeal.
A well-designed cover should effectively convey the essence of your story and align with genre expectations without trying to say too much. Simple yet effective covers are best.
For the interior, there is more to it than simply putting words on a page. Typesetting and interior book design play essential roles in not only making your book attractive, but also in making your book an enjoyable reading experience and conveying quality and professionalism.
Fantasy storytelling thrives on epic sagas and interconnected narratives. To maximise your success, plan your book series from the very beginning. Create a detailed roadmap that outlines the main plot, character development, and key events. This strategic foresight helps you plant the seeds of foreshadowing for future instalments, keeping readers engaged and eager for more.
Engage with your audience by establishing a strong online presence – your author platform. Using your author platforms, join fantasy-themed forums, subreddits, and social media groups to interact with fans. On your own accounts and author website, share valuable insights into your writing process, offer behind-the-scenes glimpses, and provide sneak peeks of upcoming book releases.
Doing all of this promotes community interaction and loyalty, fostering a sense of belonging for readers. The more engaged your audience is, the more likely they are to promote your novels and keep coming back for future editions and sequels.
Writing a captivating novel is just the beginning; effective book marketing plays a crucial role in reaching a larger audience. By using marketing strategies, authors can significantly boost their visibility and connect with readers, maximising their book’s reach in today’s competitive literary market.
Visual content reigns supreme on social media. To effectively engage your audience, use eye-catching graphics, stunning book covers, captivating character art, and engaging videos. Platforms like Instagram and TikTok are perfect for showcasing your fantasy world with visually appealing content. You can use interactive posts, polls, and Q&A sessions to boost engagement as well, generating interest and readership loyalty.
Be sure to regularly share updates on your writing process and upcoming book releases. The key to keeping readers excited about your work is to establish a strong, consistent, and appealing author brand across your platforms.
Amazon’s Kindle Unlimited (KU) program offers a fantastic opportunity for self-published authors to boost their book’s visibility. By enrolling in Kindle Unlimited, authors let readers access their eBooks for free through a subscription service, significantly broadening their audience reach.
Participating in the KU program can also improve your book’s ranking on Amazon’s bestseller charts, making it more visible to potential buyers. This extensive reach introduces your work to new readers who might not have discovered it otherwise, ultimately increasing your book sales and loyal readership.
Contacting influencers in the fantasy community is a powerful way to boost your book’s visibility, allowing you to tap into their dedicated followers who value their recommendations. To get started, be sure to do your research to ensure the reviewer or influencer aligns to your marketing needs (there isn’t much use sending a fantasy novel to someone who only reviews non-fiction books!). When you’ve received interest and approval, then you can organise sending out review copies of your book to them or participate in author interviews and features on their platforms.
These collaborations often lead to increased exposure, positive reviews, and a growing readership. In turn, this helps to enhance your credibility as a self-published author and connect you with a larger audience who are passionate about fantasy novels.
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