The advantages of Print-On-Demand for self-publishing authors

The advantages of Print-On-Demand for self-publishing authors

For self-publishing authors, the global distribution route once presented significant challenges and financial burdens. Navigating through the maze of distribution networks, bulk print runs, and fulfilling orders can overwhelm and consume time. But now there’s an easier, cost-effective way to get your book into the hands of readers: Print-On-Demand (POD) printing.

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1. What is print-on-demand?

Print-On-Demand (POD) revolutionises printing technology by allowing you to print books only when ordered. Unlike traditional publishing, which requires printing thousands of copies upfront and storing them in a warehouse until an order comes through, POD prints books one at a time. This approach eliminates the hassle of unsold inventory and storage space. Simply upload your manuscript and cover to a POD service, and your book becomes ready for purchase!

POD services handle everything from printing to shipping. Whether your reader is in Australia or anywhere else in the world, they can order your book, and it gets printed and shipped directly to them without you, the author, having to lift a finger.

This technology greatly benefits self-publishing authors as it breaks down the barriers of traditional publishing and offers a flexible, manageable way to get your work into readers’ hands.

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2. How print-on-demand saves you money

One of the biggest advantages of Print on Demand (POD) is cost savings. Usually, distributing your book requires a significant upfront investment, including expenses for large print runs, storage, and distribution. These costs can quickly add up and discourage many aspiring authors from self-publishing.

With POD, the upfront cost of printing is eliminated, allowing you to allocate those funds to marketing or even starting your next book. The flexibility of printing on demand makes self-publishing much more affordable and accessible.

POD also reduces waste by printing only what is needed, promoting an eco-friendly approach that not only saves you money, but also helps the environment by reducing unneeded resource consumption.

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3. Avoid cluttering your home with hundreds of books

Imagine printing 1,000 copies of your book and selling only 100. What happens to the remaining 900 copies? Print on Demand (POD) resolves this issue by printing books as they are ordered. No more boxes of unsold books gathering dust in your living room! With POD, you maintain a clutter-free home while keeping your book available for sale.

Additionally, many POD services offer warehousing options. If you print a small batch, these services can store your books and handle the shipping for you, eliminating the need for home storage space.

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4. Speed up your self-publishing timeline

Time is crucial in self-publishing. Unlike traditional publishing, which can take years to bring a book to market, self-publishing significantly speeds up this process, and using a POD printer makes this even faster, cutting out the wait time on a bulk print run. Once your print files are prepared, you can upload it to a POD platform and have it available for purchase within days. This rapid turnaround is perfect for self-publishing authors looking to get their work out quickly.

Moreover, POD allows for instant updates. If you find a typo or want to make changes, you can easily update the digital file. The next printed copy will include your revisions, enabling ongoing improvements without major delays.

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5. Easily reach readers around the world

One of the most exciting benefits of POD is its global reach. Once upon a time, self-publishing often restricted distribution to specific regions or to where the author could reasonably travel their books. This made it challenging for self-publishing authors to reach an international audience.

POD platforms like Amazon’s Kindle Direct Publishing (KDP) and IngramSpark offer global print and distribution, allowing readers to order your book anywhere in the world. This expands your reach to readers you might not have accessed otherwise.

Global distribution with POD also creates more opportunities for marketing and promotion. You can launch international advertising campaigns and participate in global book fairs, significantly increasing your book’s visibility and sales potential.

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Interested in publishing your book but unsure where to start or what is even involved? Tell us about your project and we will post you a copy of our:

 

The Little Book of
Big Publishing Tips.

 

In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.

The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.

Bestselling books that started out self-published

Bestselling books that started out self-published

Self-publishing gives authors the freedom to write what they want, how they want, without the limitations of traditional publishing houses. There are many authors who have used self-publishing to launch their writing careers and even get traditional publishing deals and continue their success.

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1. The Appeal of Self-Publishing

Why are so many writers turning to self-publishing? The answer lies in creative control and opportunity. Self-publishing gives authors the freedom to write what they want, how they want, without the limitations of traditional publishing houses.

One major advantage is speed. Traditional publishing can take years, but self-publishing lets you get your book to market quickly. This rapid turnaround attracts many authors. Self-publishing also offers significant financial benefits. When you self-publish, you retain a much higher percentage of the royalties, greatly increasing your earnings. Finally, there’s immense satisfaction in seeing your book in print and knowing you achieved it independently.

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2. Self-Publishing Bestseller as a Blog Serial: The Martian by Andy Weir

Andy Weir’s The Martian started as a blog serial. Yes, you read that right. He published chapters on his website, and readers loved it. They loved it so much that they requested an eBook version.

Weir listened to his audience and self-published The Martian as an eBook and quickly caught the attention of a literary agent. Soon after, it became a bestseller and turned into a blockbuster movie starring Matt Damon.

The key takeaways? Listen and engage with your readers. You might discover a new way to publish your work! Don’t be afraid to start small, either. Successful authors often begin with blog posts or self-published eBooks before hitting the bestseller list.

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3. Self-publishing Bestseller as Both Paperback and eBook: Fifty Shades of Grey by E.L. James

E.L. JamesFifty Shades of Grey is arguably one of the most famous self-publishing success stories in modern history. Initially published as an eBook and print-on-demand (POD) paperback, it quickly gained a massive following which led to a conventional publishing deal, and the rest is history. Fifty Shades of Grey became a global phenomenon, complete with movies, merchandise, and a dedicated fan base.

James’ story highlights the importance of multi-format publishing. Offering your book in both eBook and paperback formats can broaden your audience and increase your reach and therefore sales potential.

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4. Self-Publishing Bestseller as a Novella Series: Wool by Hugh Howey

Hugh Howey’s Wool series is another success story. Initially, Howey released Wool as a stand-alone novella, and when its popularity surged he expanded the story into subsequent novellas and eventually compiled them into a full-length novel.

Howey’s self-publishing strategy allowed him to build a loyal reader base by continually releasing new content, keeping his audience engaged and increasing his book sales with each new instalment.

Howey proves that a publishing strategy can be to release your books online in smaller, serialised formats. This tactic can generate anticipation, retain engaged readers, and boost your overall sales in the self-publishing market.

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5. Australian Self-Publishing Success Story in Poetry: Grave Delights by N’Gadie Roberts

In Australia, self-publishing success isn’t just for novels. N’Gadie Roberts’ poetry collection Grave Delights exemplifies this. Roberts chose to self-publish to maintain full artistic control. Her unique voice and compelling themes resonated with readers, resulting in strong sales and critical praise. Roberts has even gone on to have her poetry exhibited in the Met Museum and read by actress Cynthia Erivo.

Grave Delights proves that poetry can excel in the self-publishing world, especially when the author stays true to their vision. For poets considering self-publishing, Roberts’ success story powerfully demonstrates what can be achieved.

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6. Australian Success Story in Historical Fiction: Grimmish by Michael Winkler

Michael Winkler’s Grimmish is a historical fiction novel which Winkler initially had difficulty getting published. He first attempted traditional publishing means, but was met with disinterest. By choosing to self-publish, Winkler bypassed traditional gatekeepers and brought his unique story to life on his own, and it was well worth it, too; Grimmish became the first self-published book to be shortlisted for Australia’s Mile Franklin Award.

Winkler’s success highlights the potential of self-publishing, especially for niche genres like historical fiction which are often overlooked by traditional publishing. If you’re writing in a genre which isn’t the mainstream, self-publishing might be your best option to reach readers and achieve success.

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7. Tips from Bestselling Self-Published Authors

Now that we’ve explored some stellar examples, let’s learn valuable insights from successful self-published authors. Discover their top tips and strategies for self-publishing to boost your book’s success.

7.1 Engage with Your Readers

Andy Weir’s success story highlights the power of reader engagement. Connect with your audience through blogs, social media, and email newsletters. Their feedback shapes your publishing strategy for better results. Engaging with readers boosts your visibility and helps you understand their preferences, driving more traffic to your content.

7.2 Offer Multiple Formats

E.L. James demonstrated that offering both eBooks and paperbacks can significantly boost your reach and sales. Different readers have varied preferences, so catering to all formats increases your chances of success. Optimise your publishing strategy by providing both digital and print options to maximise reader engagement and book sales.

7.3 Consider Serialisation

Hugh Howey’s strategy of publishing his work in smaller instalments engaged his readers and made them crave more. To boost reader retention and increase excitement around your story, consider using serialisation as a winning approach.

7.4 Stay True to Your Vision

N’Gadie Roberts and Michael Winkler show that sticking to your creative vision pays off. Self-publishing lets you maintain your unique voice and message, resonating deeply with readers. Discover how self-publishing benefits authors, helping them reach their audience while staying true to their artistic vision.

7.5 Invest in Quality

When self-publishing a book, don’t skimp on quality. A polished book always stands a better chance in the competitive self-publishing market, so hire professional editors, cover designers, and typesetters. Investing in quality makes your book stand out and attracts more attention and, in turn, readers.

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The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.

Interested in publishing your book but unsure where to start or what is even involved? Tell us about your project and we will post you a copy of our:

 

The Little Book of
Big Publishing Tips.

 

In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.

The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.

The no-good, the bad and the ugly case of Shawline Publishing

The no-good, the bad and the ugly case of Shawline Publishing

The no-good, the bad and the ugly case of Shawline Publishing

Friday 11 October 2024

FINALLY SOME GOOD NEWS…

We’ve just received word that liquidators Brooke Bird are facilitating transfer of book digital assets for a fee of $440. We advise all authors to take up this offer – it is far cheaper than starting your publishing program from scratch.

The following is from Brooke Bird. Click on the image below to improve readability:

Brooke Birds offer to authors.

If authors are wanting Green Hill to help re-establishing their book we can certainly help.

We can:

  • Issue a new ISBN number for a fresh second edition of the book
  • remove all Shawline references and branding
  • establish the book on a Print-On-Demand platform of the author’s choice on the author’s very own account. Note this means that your book will be in a royalty free environment – you will receive 100% of royalties (not sharing with the likes of Shawline)

If you’d like to discuss using the services of Green Hill to re-establish your book then please book a consultation through the button below:

Thursday 10th October 2024

LATEST NEWS

Shawline is now out of business and Brooke Bird has been appointed as the liquidator. Brooke Bird has issued a letter to creditors/authors. If you are a Shawline author and haven’t received that letter please contact Brooke Bird: Brooke Bird website. The liquidator’s process now needs to run its full course.

Green Hill has received dozens of calls for help from authors. Some people have received reasonable service from Shawline, others haven’t received anything for very large sums of money paid. All authors remain ‘stranded’, many unable to get urgently needed print copies of their books. Some authors are philosophical about the situation, but many are devastated and somewhat distraught.

We are very concerned that Shawline’s behaviour has tarnished reputable suppliers in Australia’s self-publishing industry. In their final moments Shawline was still at it. In a leaked communication, they urge their staff not to speak with authors and to install email out-of-office messages saying they were “unwell”.

Our initial thought was that we could help authors re-establish their books for print and distribution. Unfortunately in most cases we cannot help as it seems design files remain owned by Shawline. The liquidator is most likely to have more information on the key issue of ownership in due course.

Despite our well meaning (but failed) efforts to provide practical help, at least we have been able to give affected authors a little advice, some empathy and remain available to help where we can in the future if circumstances change.

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UPDATED Wednesday 2nd October 2024

Shawline Publishing (now called New Found Books)

– the no-good, the bad and the ugly.

 

The situation

It is with interest that we all learnt of the account of Brad Shaw otherwise know as Brad McBride and Edwin Jason McBride in an article in the Sydney Morning Herald (SMH). The headline of the article reads: Murky past of publisher Brad Shaw – and the authors suing him for missing royalties.

Andrew Horney writes in the Sydney Morning Herald:

A Herald and Age investigation has revealed Brad Shaw’s real name is Edwin Jason McBride, who according to company records is the owner and director of Shawline Publishing. EJ McBride is also listed among Shawline’s “bestselling authors”, including one book billed as “tales from the mind of a self-confessed nutter”.

AND

Dan Moon said he paid Shawline $6,000 for his book to be published and marketed.

In the article Moon claims that despite paying Shawline for marketing, he hired his own publicist and received widespread exposure yet only received a small royalty payment. Brad Shaw has since issued a communication claiming that Shawline Publishing has acted with proprietary in Moon’s case. An article posted on Books and Publishing  Shawline denies allegations of unpaid royalties.

The SMH article claims Shaw or McBride, has been bankrupted three times. A decade ago, he collapsed in a courtroom after pleading guilty to a criminal charge of distributing pornographic pictures on his website. Located in Ballarat Victoria, a proponent of the ‘hybrid’ model of publishing, currently Shawline is in dispute with a number of authors over royalty payments.

Of even greater significance is the number of authors who have fully paid for services yet to be delivered. Some authors have been in Shawline’s production queue for over 18 months. Others have been told by Shaw that future production schedules for their projects cannot be estimated.

They have also relaunched their business as New Found Books with a new website, basically a copy of the old Shawline website but with a new name.

Several authors have contacted Green Hill confirming the company is asking past and current authors (who in some cases have paid huge fees but not received any work) for financial contributions citing ‘cashflow issues’. The letter reads:

We have published over 200 books for your talents to be found in the world (sic)

The targeted attack of (sic) our business has caused a disruption to our cashflow reserves, which in turn has led us to look at different revenue streams to get us through this difficult period so that we can maintain our operations.

At this time we are looking to raise $200,000 AUD to keep the business expenses and our awesome 15 staff employed through the below listed pledge options.

A part of the ‘reward’ for contributing $5,500 is a 1% shareholding of the business, a business which looks as though it might possibly be insolvent i.e. have a negative value. The Shawline letter says ‘we  are looking to raise $200,000 to keep our business expenses (sic)’. So the 1% ownership for $5,500 might not be a great deal – its a company with “a disruption of cashflow reserves”.

So many questions

Does all this mean that if Shawline can’t raise $200,000 they will not be able to ‘maintain our operations’? Without operations being maintained, will the queue of fully paid-up authors ever have their projects delivered? One author told Green Hill he felt the letter was like ‘blackmail’.

The letter is ambiguous. There is no detail about the valuation of the company. If $5,500 is a 1% share this means the company is valued at just $0.55M. Is this ‘intrinsic value‘ calculated by factoring in cash surpluses over years – if 10 years, does this mean that the company has a cash surplus of $55K per annum?

The big remaining question is: is the current negative publicity concerning just one author the reason for “a disruption of cashflow reserves”?  Where has the money pre-paid by authors gone?  Does this mean that Shawline is depending on recruiting new authors to keep afloat like a Ponzi scheme? Has the recent publicity meant that little new business is coming their way and does it mean there were no “cashflow reserves”?  A salient point for potential investors is that Brad Shaw has been bankrupted 3 times prior.

The letter also describes Brad Shaw as the ‘former CEO’ and the New Found Books website has announced the starting of new business ventures outside of Australia. Where will Bradley Shaw get the funds to launch a new business? You can find out all about exit scams here: what is an exit scam? 

The pledge deal also includes a 100% royalty payment on Nett (sic) profits. Note Net Profit is calculated on sales less costs which in the case of many, if not most authors will be negative.

Just this week I spoke to two authors who had each paid $6,000 just before the SMH article was published, to commence a book publishing project. They received the letter asking for a pledge as well. In their telephone conversations with Bradley Shaw their requests for a refund were not positively received and they were informed that the production of their books might be indefinitely delayed.

Our comment

The Shawline case is damaging to professional practitioners in what is a legitimate and expanding self-publishing industry. The reason for this blog post is to hopefully prevent authors from being scammed.

At Green Hill we see hybrid publishing as double-dipping – getting the author to pay a fee for production and then taking a portion of each sale. This might be great for the publisher, but its usually terrible for the author.

Green Hill Director David Walters said ‘the sales technique sometimes used by hybrid companies goes like this – “by getting a share of royalty payments we are highly incentivised to market the book” ‘

‘But often the hybrid company does very little, and if for some reason the book sells, makes a windfall’

“In this case the author might have put in a big personal effort to make themselves and the book publicly known”

‘This windfall might be in addition to a highly inflated price for book production. Its a big win-lose in favour of the hybrid publisher’ he said.

Over the years Green Hill has been contacted intermittently by unhappy customers of hybrid and self-publishing companies (Australian, North American and UK companies) and we have on occasions been able to assist. We may be able to help by re-establishing an author’s book as a true self-published (not hybrid) title.

HELP HOTLINE David0411 311 205

 

 

 

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No Results Found

The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.

Interested in publishing your book but unsure where to start or what is even involved? Tell us about your project and we will post you a copy of our:

 

The Little Book of
Big Publishing Tips.

 

In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.

The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.