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Self-publishing is the process of publishing any form of written content without using a traditional publisher or literary agent. This written content can be in the form of a book, magazine, zine, journal, and more.
Historically in self-publishing, the author takes on all responsibilities for the editing, design, printing, and distribution of their book. The author must either do the work all by themselves, or hire industry professionals (e.g. self-publishing companies or freelance workers) to do it for them.
Green Hill can help authors ‘fill the gaps’ by providing a a comprehensive range of professional services. Green Hill is an assisted publishing company helping self-published authors succeed in the complex and demanding world of book publishing.
1. How to I self-publish my book?
2. Are there self-publishing companies in Australia?
3. Can I self-publish my fiction novel?
4. Can I self-publish my non-fiction novel?
5. Can I self-publish a cookbook?
6. What other kinds of books can I self-publish?
7. Do I need to pay for self-publishing?
8. How to tell if a self-publishing company is a scam
9. Do self-publishers market my book?
To self-publish a book completely independently, you should follow the following steps:
If you don’t have a book, then you have nothing to publish. Writing your book is the first and most important step as the content of your book will dictate much of your self-publishing project. The second most important step is to draft your book. It’s often said that writing is rewriting. Before your book is ready to show anyone, make sure that you have made the book as well-written and free of errors as you can.
After you are happy with your manuscript, hiring a professional editor to go over your work is an excellent way to ensure that your book is ready for readers. We offer manuscript assessments and full editing of your manuscript.
A well-designed book cover can make your book stand out and attract potential readers. On the other hand, a poorly-designed book cover sill undoubtedly hurt your sales and limit your audience. Consider hiring a professional book cover designer to ensure that your book cover meets market standards and can compete with traditionally published books. Green Hill Publishing has a team of experienced in-house book designers. Enquire with us today.
The interior of your book is very important. It needs to be designed to be aesthetically pleasing for your readers yet not compromise on functionality and readability. To typeset your book, you’ll also need to purchase and use proper typesetting software, like InDesign. It’s always best to hire a professional if you’re unsure about the process. Thankfully, Green Hill has a team of experienced in-house book designers who are knowledgeable in typesetting and can make your book come to life while adhering to the rules of readability. Enquire with us today.
Before you send your book to a printer, it must be in a format that is compatible with their software. Usually, this means a print-ready PDF file for you interior, and print-ready file of your book cover that gives the proper allowance for your spine width, bleed, etc. Each printer has their own guidelines for this, so make sure that you contact them. When Green Hill designs a book, we do so ensure that we meet all of our printers’ criteria.
There are many self-publishing platforms available, such as Amazon Kindle Direct Publishing, Kobo Writing Life, and Barnes and Noble Press. Do some research and make sure that you choose one that suits your needs and preferences. When you publish with Green Hill, you’re not limited to just one platform; we make your book available for online distribution with the major online book distributors, Amazon, Book Depository, Booktopia, and more.
To accurately decide on a price for your book, take into account the cost of your printing and distribution as these are your main overheads. Usually, we recommend setting your RRP at three-times the print-per-unit price of your book.
Once your book is available for purchase, you must market your book to reach your target audience and generate sales. You can do this through social media platforms (Instagram, TikTok, Facebook, and more), your author website, and other channels.
Yes, there are Australian-based self-publishing companies out there who can offer you a range of services to assist with self-publishing your book. These companies can help authors navigate the self-publishing process.
Australian self-publishing companies usually offer services such as editing, design, typesetting, print-ready files, and distribution. However, it’s important to carefully research and compare the different self-publishing options to ensure you find the best fit for your needs and goals as an author. Green Hill Publishing is Australia’s trusted self-publishing company who offers a range of publishing packages that are likely to fit your project’s needs.
Yes! Self-publishing a fiction novel is a common and viable way to get your book out into the market. Self-publishing allows writers of any genre or form of fiction to express their ideas without having to wait for traditional publishers to pick them. Common genres of self-published fiction books include:
Yes! Many authors self-publish non-fiction books in all kinds of genres. In fact, non-fiction is one of the most common self-publishing genres. Many authors use self-publishing as a way to get the following genres and more out into the hands of readers:
Yes! You can self-publish any kind of book, including a cookbook. Self-publishing is a flexible option that allows you to retain control over the content and design of your cookbook, and to reach your target audience directly. With self-publishing, you can write, edit, design, and distribute your cookbook in both physical and digital formats, and reach home cooks, food lovers, and culinary professionals around the world. There are many self-publishing platforms that can help you make your cookbook available to readers. Keep in mind that the specific requirements for self-publishing a cookbook—such as formatting and image quality—may vary depending on the platform you choose. Consider hiring professionals, like food photographers and professional book designers—to ensure that your cookbook can compete with traditionally published cookbooks.
In essence, you can self-publishing really any kind of book, including:
In general, as long as your book is your original work and doesn’t cross copyright boundaries, you can self-publish it.
There are some options for both “free” self-publishing and paid self-publishing, depending on the approach you take.
Some free self-publishing platforms include Amazon KDP and Smashwords, allow you to publish your book for free and earn royalties on book sales. However, even free self-publishing includes certain costs if you cannot do everything yourself.
While it is up to you to choose what you’re willing to spend money on to self-publish your book, keep in mind that these services can greatly enhance the marketability of your book.
When working with a self-publishing company, the author usually pays for the services provided by the company. This includes either some or all of the following:
Unfortunately, there are quite a few self-publishing scams out there. These scams can be costly, time-consuming, and disheartening for authors, so it’s important to do your research and be aware of common red-flags. Some things to look our for are:
Do your research and being vigilant. You can often find self-publishing scams easily by doing a simple Google search and reading reviews on unaffiliated reviewing platforms.
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Self-publishers typically do not sell your books directly to customers. Instead, they use distribution channels to make your book available for purchase on online marketplaces, such as Amazon, Barnes & Noble, and others. There are some self-publishing platforms, such as Amazon KDP, which both self-publish and distribute your book, but these are the exceptions.
The way this works is, when you self-publish through a company or platform, your book is uploaded to their servers and made available for sale on popular online bookstores. When a customer orders your book, the platform will handle the printing and shipping, and you will receive a royalty for each sale as the retail platform and the printer will take a cut of the profit.
In some cases, self-publishing companies may also offer additional services, such as marketing and promotion, to help you reach a wider audience and increase sales. However, the main role of self-publishing companies is to provide authors with the tools and resources they need to publish their books, rather than sell their books directly to customers.
Green Hill offers marketing services to self-published authors. We can give book marketing advice, help you set up and create content for your social platforms, and assist with library and traditional distribution channels for your book.
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In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.
The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.
There are some things that you can do to prepare yourself and your book for editing that will help the process go smoothly and leave both you and your editor happy.
It’s a common misconception that editors are red pen-wielding fiends who want to tear your manuscript apart, but this is not the case. Editors want the best for your book and you as an author; their job is to ensure your content makes sense and is conveyed in the most comprehensible way to your intended readership. Go into editing with an open mind and listen to the suggestions of your editor when their work is complete.
Editing is not always a cheap service, and some authors can be caught off-guard by the size of their quote. Editors cost their projects either per word or per hour, which can make larger projects costly for an author; even if your manuscript is better put-together than another project with half your word count, you may still end up paying just as much or more.
A way to help bring down costs is to make sure that everything in your book is integral to your story. Does your book need to be as big as it is or talk about something for as long as it does? This is something that can be addressed with my next point:
It’s often said that writing is rewriting, and this is very true. An integral part of writing a book is revising your manuscript multiple times to ensure that every chapter, paragraph, sentence, and word is as close to the best that you can make it and is working for your story, not against it. This will help to make the editing process run smoothly and, as mentioned, bring the overall cost down.
Check out our other post for tips on how to successfully draft your manuscript: https://greenhillpublishing.com.au/three-tips-for-drafting-your-own-work/
Editing is not just limited to checking spelling and grammar. An editor looks at your manuscript through many different lenses, including if the chapters are structured correctly, checking for continuity errors, filtering for a target audience, and more.
There are three distinct types of editing: structural editing, copyediting, and proofreading.
The often-forgotten side to editing. It focuses on the bigger picture rather than the sentence-level details. If your book requires structural edits, this often means that something is wrong with the flow of the manuscript, or that an element (like voice or language) is inconsistent. It could even mean that the chapter placement is illogical to readers, or that the book is too long or short for its audience and purpose.
The nitty-gritty side, the spelling-, punctuation-, and syntax-level detail that’s expected from editing. But it’s also fact checking, ensuring that what’s written couldn’t potentially become a legal liability, making sure that characters or settings don’t appear differently from one page to the next, and more.
The final stage carried out once all other types of editing have been completed. It’s similar to copyediting in the way that it mostly deals with sentence-level detail, but in this instance the editor isn’t dealing with a raw manuscript, they’re double-checking a near-perfect piece for any errors that might have been missed.
Which brings me to my next point:
Books published through traditional publishing houses will have a minimum of three editors working on the book one after the other, each performing a different type of editing and rechecking each other’s work. Employing just a single editor—no matter how skilled they are—will not leave you with an error-free manuscript. It’s simply impossible, which is why it’s a great idea to get at least two editors to comb through your manuscript.
If you can’t afford to employ a second editor, another useful way to pick up anything that the editor has missed is to get an impartial family member or friend who has not seen or heard anything about your manuscript before to look over it. This of course won’t be as good as getting a second professional editor, but it will definitely help your manuscript.
Most editors in this day-and-age use Microsoft Word revision software to edit manuscripts. This involves functions like track changes and commenting.
Once you get your edited manuscript back, you’ll have to go through each change that your editor has made and accept or reject these changes. This can be tricky, and a lot of text mistakes at the end of the publishing process can be accredited to edits that have been accepted or rejected incorrectly, so it’s beyond integral to make sure that you’re checking each and every change afterwards.
If your editor has left comments on a certain piece of your manuscript this could mean a few things, including being unable to advise changes as they cannot decipher your intent, really enjoying something that you’ve done and wanting to point it out, and explaining a change that they believe you may be confused about. Read over each comment carefully and make sure to either implement the changes they suggest and resolve. After the comments have been resolved, go back through and double-check that each comment has been addressed, then you can go ahead and delete them.
It’s also good practise to save two versions of your edited manuscript: one with the track changes and comments still included and another with them resolved. This way you have a record of both and can revisit easily if needed.
Editing can be a rewarding process if you’re well prepared. After you read and take on the information within this blog, you’ll be well on your way to getting your manuscript polished and ready for your editor.
Interested in getting your book edited with our partner Bookmark Edits? Click here to find out more and get your editing assessment.
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As a self-published author, book cover designs can be daunting, and there are a lot of factors to consider before committing to your final concept and design. When starting to design a book cover, you need to think about:
But how can you ensure that your book cover has everything that it needs to succeed? What do you need to focus on for your book to attract readers and distributors in a world of traditionally published books? Firstly, we recommend hiring a book cover designer and following the 5 key points discussed below to make sure that you are getting the most from your book cover and your book designer.
If nothing else, the most important thing you can do to make your book cover a success is to listen to your designer. They will make your book cover look the best it can. Your designer wants the best for your book as much as you do, and will no doubt have amazing book cover ideas that you hadn’t considered before. They are also experience professionals who have worked on a number of books in the past, so they understand the book market and know what is more likely to sell and what is more likely to not.
It is important to communicate your preferences and vision for the book in a way that can be well understood when you have the design brief with the designer. Your book designer will take cues from your brief and design a book cover that is marketable to help your book shine on the shelves and meet your expectations.
It’s important to intrigue potential readers and leave them wanting more—not leave them confused and overwhelmed. The cover should be a teaser that makes the readers want to know more and entice them to pick up your book and take it home with them. It is not necessary to try to tell the whole story of a book on its cover as it is simply a visual representation of the book meant to grab attention. If you try to include every detail that’s in your book on your cover, it will be a cluttered mess of references that are lost on potential readers.
A good cover should be visually appealing, give a sense of what genre or style the book belongs to, and accurately represent the book. Pick one to three things that best convey what your story is about and your designer will use what they can to bring your cover to life.
When thinking about book cover design, it is important to keep the target audience in mind, rather than designing solely on your own preferences. As discussed earlier, the cover should be visually appealing and reflective of the content and genre of the book, but also designed to appeal directly to the specific audience who are most likely to read it. This may involve considering factors such as age, gender, interests, and reading habits of the target audience.
Let the book designer create the cover from the eyes of a buyer. Often what an author believes they must have on their book cover doesn’t translate well to readers and they miss what the author wanted to achieve.
Though you may read a lot in the genre you wrote your book in, remember: you are the author, not your audience.
When designing a book cover, it is important to consider the genre of the book and design a cover that fits within the conventions of that genre. The buyer—whether a distributor or a reader—should be able to immediately recognise the genre of the book by the cover design. For example, a mystery novel may feature a dark and dramatic cover with a silhouette or crime scene, while a romance novel may feature a romantic image of a couple. A science fiction book cover may feature images of futuristic technology, space, or aliens. A fantasy book cover may feature images of dragons, wizards, or other mythical creatures.
This doesn’t mean that your book should be a carbon copy of another, but if the genre is not clear then the buyer will have to work harder to decipher what your book is and will be more likely to disregard it in favour for another. Gather some inspiration from within your genre and similar and pick them apart. Try to figure out which elements on those covers would work for your book and tell your designer. This will give your book designer a good starting point for your cover and let them know what you like.
When considering your book cover design, be careful not to focus on particulars, such as the exact shade of a colour, the precise positioning of an image, and the perfect font size/weight to use. While attention to detail is important in many aspects of book cover design, it is also important to keep the big picture in mind. If you give your designer a list of overly detailed instructions of what the cover must include, you’ll restrict their creative license and may end up with an unattractive book cover that just does not work.
Think about what is necessary for your book cover and what will make it attractive and successful in retail, but more importantly what is not. The goal is to create a cover that is visually appealing and accurately represents the book, rather than focusing on small details that may not have a significant impact on the overall design.
Overall, a successfully designed book cover is one that looks professional and like it belongs in the market, effectively and concisely communicates the book’s content and style, appeals to the intended audience, is visually appealing and on-par with other books in its genre, and is harmonious.
To see some of our favourite covers, check out our Instagram.
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.
The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.