No Results Found
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
There are a few different kinds of printed books available for readers and one is the casebound book. What exactly is involved in the making of a casebound book and is there any benefit to it? Read through this post and find out.
Casebound, often referred to as hardcover, is a very common format for a book to be made in. How to identify a casebound book is by its cover, which will be hard and sturdy. This differs from the other common format, paperback (or softcover), as they have soft and flexible covers.
Some casebound books also come with dust jackets, which are made from a higher GSM paper than the interior pages and feature the same cover design as its paperback version. In instances like this, the casebound cover would have a more simplified design or be left almost blank and only have detail on the spine.
In traditional publishing, books are often first released in a casebound version before they transition over to paperback.
Firstly, the book blocks are created. This begins with printing, then moves to guillotining, and then binding. The binding style can differ but is usually limited to one of the standard processes: section sewn or glued. Once bound, cloth spines are added and the book blocks are complete.
Next, the cases are made. The process depends on the style of case (paper- or material-covered), as they require different steps and machines to complete. For paper-covered casebound books, the covers are first printed and cut to shape, then glued to and folded around the three pieces of board (front, spine, and back), before the book blocks are glued in place. For material-covered casebound books, a dedicated machine is used to attach and wrap cloth/imitation cloth around the three pieces of board (front, spine, and back) before they are glued to the book blocks.
Casebound books (either material- or paper-covered) can include the following extras:
There are pros and cons to any book format. Casebound books have some great benefits over the other formats you could print your book in:
As with any book, casebound books do have their issues for readers and authors alike. It’s up to you to decide if the pros outweigh the cons:
Having a casebound version of a book is especially useful for publications that need to last a long time or have a high capacity for durability, but really any book can be casebound. It is very common for most genres of fiction and non-fiction to have a casebound version as traditional publishers release a casebound version of their books first to help maximise their profits.
If you are publishing your book traditionally, it’s likely that your book will have a casebound version as it is a standard procedure for these publishers. On the other hand, self-publishing authors need to be aware of the costs of printing casebound books and decided whether it is worth the cost (discussed a little later).
Otherwise, as a general rule, a book can be casebound if it has more than 30-80 pages. If your book doesn’t fit these specifications, check with your publisher or printer to see if your book is able to be casebound or have a think about other strategies, like making your book size smaller or adding more content.
As a general rule, paperback books sell more copies than casebound books. Paperback books are almost always cheaper for customers than their casebound counterpart and many readers prefer their lightweight nature. Casebound books, on the other hand, generally do not sell in as large of quantities, but they do generate higher returns on sale. This means that you don’t have to sell as many books to be profitable compared to paperback.
Many readers have their preferences for the kind of book format they like, and there are certainly a lot of them who will opt for a casebound book when given the decision.
The cost of any printing venture is highly personal and varies from project to project. This is because the cost of printing a book depends on many different variables, such as the quality of the print, the size of the book, and even the printer itself.
This includes embossing/debossing, foiling, spot-gloss, printed ends, and more. Applying one or more print finish will increase the cost of your book as it adds extra material and processes.
Certain types of binding are cheaper than others. Casebound books are more expensive than other binding types because the materials used in the production costs more to source. There are also additional processes undertaken by printers create casebound books.
The quality of the paper will dictate both how much the paper costs (higher quality = higher cost and vice versa), but it can also have an impact on freight costs as higher GSM paper is thicker and therefore weighs more.
Books with a smaller page count require less paper and are lighter, meaning they cost less both in the printing process and when it comes to freight.
No two printers will give you identical quotes for a print run. This is because printers differ in factory (capacity) size, stock type and availability, and profit margins.
The location of a printer factors into the cost of printing for a few different reasons. Often, printing in countries like China will mean a cheaper price, but you’ll have to print in bulk and then pay for freight, which can also be quote costly. For our Australian authors, printing locally in Australia can cost more per book, but freight is often more affordable, and smaller print runs are available from most printers.
Organising a large (or bulk) print run will make the cost of printing a book cheaper per unit than they would be on a small print run. Choosing to print in bulk, however, means committing to a greater up-front cost.
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.
The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.
Practically every book will have at least one error, and many will have even more. Books can go through numerous rounds of edits before they’re printed and readers will still pick up on something that is incorrect. Why is this?
The process of accepting and rejecting edits in a manuscript can introduce errors into the manuscript that weren’t already there.
We find that one of the best practices authors can do after receiving their edited manuscript is to save two versions and globally accept all changes in one version. This ensures that there are no introduced errors in that manuscript, but that you can also return to the manuscript with the edits shown and see the choices that the editor has made.
You might be familiar with the proofing tip of printing out your book and reading it on paper to catch any mistakes you may be overlooking when reading it on a screen. But why does this work?
The difference between reading on a screen and off physical paper can be explained through some recent research into the matter. Reading on a screen can certainly improve some aspects of your reading, including speed and skimming, but these aren’t always conducive to picking up on errors. When reading print, however, studies show that reading comprehension and retention are increased in comparison, which makes for a much better environment for seeing and fixing errors.
This in turn means that, while you and many others have read your book while in the manuscript phase, there can be certain errors that are skimmed over because they are being read on a screen. When your book has been printed, however, these errors come out of hiding and can often be glaringly obvious.
Another reason for errors being missed in earlier stages of the book’s production is that it has yet to go through the process of typesetting. Typesetting deals with the interior layout of a book, including the following:
Each of these things, when done correctly, work to increase the readability of a book so that the experience of reading is as a smooth and enjoyable as possible. In layman’s terms, after you book has been typeset and the experience of reading has been made easier, its errors will also easier to find.
While they are professionals in their respective fields, experienced authors and editors are still human. It is virtually impossible to pick up on every error in any aspect of life—including errors in a book (and likely in this very blog post!).
This is especially true for those who have read the book multiple times. When you know the book inside and out, you can anticipate what’s to come and are more likely to skip over errors simply because your brain has already filled out what it wants to read, not what it is actually seeing.
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.
The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.
When considering the print of your book, it’s good to know the difference between the paper types available for book printing. This blog will give you a basic guide to the different kinds of paper and treatments available for the paper you can use in your book.
There are three main types of paper that you can use to print your book on: white paper, cream paper, and book-cream/groundwood paper. Each are useful for different purposes in printing:
White paper:
Cream paper:
Book-cream / Groundwood paper:
GSM (Grams per Square Metre), is used to indicate the thickness of materials such as paper.
35 – 55 GSM |
The thinnest of the more commonly used paper types. Usually used for newspapers. |
70 – 90 GSM |
A thin paper. Usually used in notebooks and novels. |
90 – 100 GSM |
The most common paper weight. Used in recreational printers found in offices and homes. |
120 – 150 GSM |
This paper is most often used for thin flyers, takeaway menus, and movie posters. |
200 – 300 GSM |
This weight is sturdier than the previous stocks but will still bend. Used often for magazine covers and higher-quality flyers and menus. |
350 – 450 GSM |
Thick, card-like stock, more difficult to bend. Used for a few different products including greeting cards, business cards, and postcards. |
Paper can go through a process of coating before it is printed on and bound in a book. As a general rule for most standard trade publications such as novels, uncoated paper is used for the interior pages while coated paper is used for the cover. However, this is not necessarily the best course of action for all publications depending on its contents and intended use.
There are pros and cons to both coated and uncoated paper, of course, and whichever you choose will depend on your personal preferences and what your project needs.
Uncoated paper is just that: uncoated. Unlike coated paper, it does not undergo the process of clay coating. It is best for the interior of text-heavy publications (trade novels, etc.) because it is lighter, and allows for great readability. It comes in two different finishes:
Paper that has been coated is most commonly used for the covers of paperback books or the interiors of books that are image-heavy (such as photography books, manuals, textbooks, etc.). This is because it allows for a level of image vibrancy and durability that uncoated paper does not. When a paper stock is coated, it means that it has had a clay coating applied during the paper making process. There are three different levels of finishes achieved by clay coating:
Environmentally friendly paper usually adds to the overall cost of printing a book. There are more ways to produce a low-impact book other than using recycled paper i.e. the print media. There are a number of printer practices that can reduce the environmental impact.
Environmentally sensitive paper for book printing refers to paper that is produced with a minimal environmental impact. This typically involves using sustainable materials and practices throughout the paper production process. Here are some key elements of environmentally sensitive paper for book printing:
By choosing environmentally sensitive paper for book printing, you can reduce your environmental impact and promote sustainable practices in the publishing industry.
Groundwood paper, also known as mechanical pulp paper, is made by mechanically grinding wood into pulp. It is often used for newspapers, magazines, and other publications where a lower quality paper is acceptable. While groundwood paper can be more environmentally friendly in some respects, it also has drawbacks compared to other types of paper.
In summary, groundwood paper can be more environmentally friendly in terms of energy use and carbon footprint, but it is not as high quality or durable as other types of paper. It is important to consider the specific use case and environmental priorities when choosing paper for printing.
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.
The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.