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To sell your book through Amazon’s online retailing platform, you have to make an Amazon KDP account. Kindle Direct Publishing (KDP) is Amazon’s book distribution platform for self-publishing authors.
To set-up your own KDP account follow these steps:
Simple as that! Now that you’ve created your account, the next steps are to enter author/publisher information, payment details, and your tax information.
The next step is to set up your account profile. You’ll be prompted to do this once you’ve completed the sign up process:
Now it’s time to input your payment details so that you can receive your royalty payments. KDP offers a few different methods of receiving payments. This process includes direct deposits, wire transfer, or receiving a physical check. To add your bank account to your KDP account, complete the following steps:
If you don’t see your country or region, Amazon likely doesn’t support direct deposits or wire transfers to that location, so you will have to go to KDP Payment Options to find out what payment options are available to you.
Also note that the name you give for account holder’s name under “Tell us about your bank” must match the name associated with the bank account. You may not receive payments if the name doesn’t exactly match your bank records.
Whether you are publisher, individual, or non-for-profit/tax-exempt organisation, you are required to provide a valid taxpayer ID to use Amazon KDP. To input your tax information, complete the following steps:
To learn more about taxes in regards to your KDP account, go to their Tax Information page.
Amazon KDP and IngramSpark are both POD and distribution services, but they differ in their capabilities and services.
Amazon has a distribution and POD service that is exclusive to their platform, allowing authors to distribute their book online via all Amazon marketplaces and reach a global audience for both print and eBook formats. On the other hand, IngramSpark opens up a broad range of distribution channels for books printed and distributed through their system. These channels are inclusive of brick-and-mortar bookstores who are signed up to their system and multiple online platforms, including Amazon, Booktopia, and Dymocks Online.
A benefit of using Amazon KDP is that you receive a higher-than-average royalty rate for each sale of your book (usually around 60 – 70%). However, they control the prices for their products and can often set them much lower or much higher than the author wants. Contrastingly, IngramSpark authors have more control over their book’s RRP and can set it at a price reflective of their book’s worth. However, IngramSpark may give out lower royalties compared to Amazon KDP.
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In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.
The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.
The file size of your images can indicate the quality of an image regarding size and resolution. If your image has a small file size, it means that your image will likely print at a low resolution, meaning that it will look pixelated or blurry. Trying to force the image to span a whole page would make it pixelated and blurry.
File Size (KB) | Image Size Maximum (px) |
Less than 10 KB | 32 px |
10 – 30 KB | 64 px |
30 – 60 KB | 128 px |
60 – 100 KB | 256 px |
100 – 200 KB | 384 px |
200 – 500 KB | 512 px |
500 – 1,000 KB | 784 px |
More than 1,000 KB | 1,024 px |
Usually, images with enough quality to print need to be at least 1MB (1,000 KB). This again depends on the size that you want the image to be, as bigger images will need to have a higher resolution and will have more KB or MB. It’s always best to supply your publisher with as big of image files as you can. There are a few ways to ensure you do this, but we’ll discuss that a little later.
Dots per inch or DPI refers to how many dots of ink per inch a printer will put in an image when printing. So, the more dots your image has, the higher the quality when reproduced. This also means that the less dots your image has, the lower the quality of the image when reproduced.
When printing, your images need to be 300 DPI to keep their quality and reproduce well. With this in mind, you must be cautious when sourcing images from the internet. Most images online (unless you download them properly from stock websites, etc.) are set at 72 DPI, thus they will not print at a high quality. Let your publisher know that you have taken images from the internet and keep the URL of these images so your designer can check the size and quality, or so that they can more easily find another alternative at a higher resolution.
For screen publishing (i.e. for eBooks and other digital publishing mediums), 72 DPI works fine as this is the standard DPI for screens. It’s still best to let your publisher know about any images sourced from the internet, however, as copyright infringement is a possibility.
You may or may not be unfamiliar with what “CMYK” and “RGB” means and how it relates to image publishing, so we’ll go through everything starting at the basics. CMYK and RGB are both acronyms of the colours that they use to make up the colours in an image. They are both different modes of colour that are best used for different things.
The acronyms are as follows:
CMYK |
RGB |
C – Cyan (blue) M – Magenta (red-pink) Y – Yellow K – Black |
R – Red G – Green B – Blue |
With advances in technology, the answer to “what colour mode should I use for printing” has changed. CMYK was once the only option for printed images as the inks that printers used was cyan, magenta, yellow, and black. Now, however, it depends on which printing press you use. CMYK is still best when using offset printing, while RGB is best when using digital printing. Make sure to talk to your designer and publisher to figure out the best printing solution for your publishing project.
The way that traditional printers produce images is by nesting dots of different colours together to make other colours. When offset printing, the printer will mix cyan, magenta, yellow, and black together in different ways to create the colours in your image. On the other hand, when digital printing, the printer will mix red, green, and blue.
Depending on how you are looking to distribute your book (whether it is meant to be an eBook or a print book), there are different file types to understand for image publishing.
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.
The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.
There are a few different kinds of printed books available for readers and one is the casebound book. What exactly is involved in the making of a casebound book and is there any benefit to it? Read through this post and find out.
Casebound, often referred to as hardcover, is a very common format for a book to be made in. How to identify a casebound book is by its cover, which will be hard and sturdy. This differs from the other common format, paperback (or softcover), as they have soft and flexible covers.
Some casebound books also come with dust jackets, which are made from a higher GSM paper than the interior pages and feature the same cover design as its paperback version. In instances like this, the casebound cover would have a more simplified design or be left almost blank and only have detail on the spine.
In traditional publishing, books are often first released in a casebound version before they transition over to paperback.
Firstly, the book blocks are created. This begins with printing, then moves to guillotining, and then binding. The binding style can differ but is usually limited to one of the standard processes: section sewn or glued. Once bound, cloth spines are added and the book blocks are complete.
Next, the cases are made. The process depends on the style of case (paper- or material-covered), as they require different steps and machines to complete. For paper-covered casebound books, the covers are first printed and cut to shape, then glued to and folded around the three pieces of board (front, spine, and back), before the book blocks are glued in place. For material-covered casebound books, a dedicated machine is used to attach and wrap cloth/imitation cloth around the three pieces of board (front, spine, and back) before they are glued to the book blocks.
Casebound books (either material- or paper-covered) can include the following extras:
There are pros and cons to any book format. Casebound books have some great benefits over the other formats you could print your book in:
As with any book, casebound books do have their issues for readers and authors alike. It’s up to you to decide if the pros outweigh the cons:
Having a casebound version of a book is especially useful for publications that need to last a long time or have a high capacity for durability, but really any book can be casebound. It is very common for most genres of fiction and non-fiction to have a casebound version as traditional publishers release a casebound version of their books first to help maximise their profits.
If you are publishing your book traditionally, it’s likely that your book will have a casebound version as it is a standard procedure for these publishers. On the other hand, self-publishing authors need to be aware of the costs of printing casebound books and decided whether it is worth the cost (discussed a little later).
Otherwise, as a general rule, a book can be casebound if it has more than 30-80 pages. If your book doesn’t fit these specifications, check with your publisher or printer to see if your book is able to be casebound or have a think about other strategies, like making your book size smaller or adding more content.
As a general rule, paperback books sell more copies than casebound books. Paperback books are almost always cheaper for customers than their casebound counterpart and many readers prefer their lightweight nature. Casebound books, on the other hand, generally do not sell in as large of quantities, but they do generate higher returns on sale. This means that you don’t have to sell as many books to be profitable compared to paperback.
Many readers have their preferences for the kind of book format they like, and there are certainly a lot of them who will opt for a casebound book when given the decision.
The cost of any printing venture is highly personal and varies from project to project. This is because the cost of printing a book depends on many different variables, such as the quality of the print, the size of the book, and even the printer itself.
This includes embossing/debossing, foiling, spot-gloss, printed ends, and more. Applying one or more print finish will increase the cost of your book as it adds extra material and processes.
Certain types of binding are cheaper than others. Casebound books are more expensive than other binding types because the materials used in the production costs more to source. There are also additional processes undertaken by printers create casebound books.
The quality of the paper will dictate both how much the paper costs (higher quality = higher cost and vice versa), but it can also have an impact on freight costs as higher GSM paper is thicker and therefore weighs more.
Books with a smaller page count require less paper and are lighter, meaning they cost less both in the printing process and when it comes to freight.
No two printers will give you identical quotes for a print run. This is because printers differ in factory (capacity) size, stock type and availability, and profit margins.
The location of a printer factors into the cost of printing for a few different reasons. Often, printing in countries like China will mean a cheaper price, but you’ll have to print in bulk and then pay for freight, which can also be quote costly. For our Australian authors, printing locally in Australia can cost more per book, but freight is often more affordable, and smaller print runs are available from most printers.
Organising a large (or bulk) print run will make the cost of printing a book cheaper per unit than they would be on a small print run. Choosing to print in bulk, however, means committing to a greater up-front cost.
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.
The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.