What does self-publishing mean?

What does self-publishing mean?

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Self-publishing means more than just uploading a manuscript to KDP or paying someone to publish your book. In a world domineered by traditional publishers who cherry-pick which manuscripts get to be published, self-publishing gives authors’ back their freedom and autonomy. This is because self-publishing gives authors—not publishers—the ability to decide that their stories are worthy of being heard.

Authors who self-publish their books feel the empowerment and fulfilment that self-publishing provides. When you hold your beautifully, professionally designed and printed book in your hands, and you know that you alone have ownership over it, it can be extremely rewarding. The satisfaction and pride you feel when you realise that you have made something that is out on bookshelves and in the hands of readers is unparalleled.

1. It means authors regaining control

With the advancements of technology and the internet, self-publishing has become so much more accessible and viable for authors who want to publish their book outside of traditional means. It also means that authors can take more control of their publishing journey. There are many ways that you can self-publish a book, including completely independently through services like Kindle Direct Publishing, or assisted through a self-publisher or a hybrid publisher.

1.1 Publishing your book completely independently

Choosing to publish your book without the assistance of a self-publisher / hybrid publisher can be quite difficult, but is possible. There are a few things you need to be aware of when considering this option:

Editing is integral

Everyone would like to think that their book is perfect, but it’s rarely the case. Readers will be able to tell pretty quickly whether a boo has been edited or not. This means that it’s important to consider having someone—if not a professional editor, then a at least a well-read and literate friend/family member—look over your manuscript and correct any errors that are present. There are different kinds of editing, which we go over in our blog post about editing.

Book cover design matters

Everyone knows the saying “Don’t judge a book by its cover,” we’ve even said it a few times in other blog posts, and this is because it’s not true. The first thing that your potential readers will see when they look at your book is the cover. Your book cover is your front-line marketing salesman—its main purpose is to persuade readers to first pick the book up and then to keep it. Having a professional designer create your book cover is an excellent way to ensure that you’re presenting your book well to your potential readers.

Typesetting also matters

The design of a book’s interior is just as important as the book cover, only for different reasons. It focuses on the look of a books interior and how the design interacts with the text, but also focuses on readability, searchability, and accessibility. This means that if your book is typeset correctly, the readers will have an enjoyable reading experience and won’t be distracted by errors in typesetting that draw their eye. If you’re unsure if you can do this properly, it’s always best to hire a professional.

Every book needs an ISBN

While there are some exceptions (read our blog post on ISBNs), every book in the market is required to have an ISBN. ISBNs are International Standard Book Numbers that are required by distributors and retailers for sales tracking and cataloguing purposes. Because ISBNs are unique to their assigned book, while titles and covers can be very similar to each other, ISBNs are instrumental to your book’s online searchability. You must purchase an ISBN for your book. If you live and publish in Australia, Thorpe Bowker is the ISBN provider you need.

You have to organise your own printing

Most if not all self-publishers and hybrid publishers have connections to printers. If you publish your book completely independently, however, you’ll have to approach printers yourself to discuss printing. This can be daunting and confusing as there are many different options out there regarding printers, book formats, paper types, and more.

You’ll need to set up your own distribution methods

If you publish your book through services like KDP, you will automatically be set up on Amazon and can then take it further by approaching other retailers to sell your book. Some online retailers do have specific requirements regarding the formatting and distribution of their books, so make sure to check their guidelines before you publish on them. Bookstore distribution can be a little difficult for self-published authors. This is because bookstores are wary of the quality and sales-value of self-published books as some authors cut corners and do not properly produce their books.

Book marketing is ongoing

Self-published authors have to work hard and continuously to get their books into the minds of readers, but there are certainly strategies that can help. For help on how to do this, read our blog post on marketing for self-published authors.

1.2 Publishing your book with a self-publisher / hybrid publisher

If you decide to publish your book through a self-publisher / hybrid publisher, they will usually assist you with all aspects of your publishing journey. This is not to say that they will force you to do something you don’t want to, however. You, the author, are still the primary authority on all decisions made during the publishing process of your book.

When you choose to go with a self-publisher or hybrid publisher, you can get assistance you with the following:

Editing your book

Whether they do this in-house or out-source editing to partnered companies, they will help you to get your book professionally edited.

Designing your book

These companies often have their own design studios or out-source to freelance designers. It’s good to look at their past covers to determine whether you’re happy with the quality of work they can produce.

Getting the right printer

As I said earlier, printers and publishing companies deal with each other often and usually have connections with one another. When choosing to go with a publisher, they will advise you on format, paper, appropriate printers, and more, taking the stress out of this step.

Organising proper distribution

Not all self-publishing companies do this, but reputable ones provide their authors with an ISBN and enable their book for distribution with online retailers. Some also have contacts or a good reputation with bookstore distributors and retailers and can help you get your book into places like that, too.

Assistance with marketing

Some companies offer marketing services, some don’t. It’s best to do your research when deciding on which company to go with. Green Hill offers marketing services on an hourly basis to our authors.

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2. It means having creative freedom

In the same vein as maintaining control, self-publishing also allows authors to exert control over the creative aspects of their publishing journey, both the book itself and the author’s “author persona”.

2.1 Control your book design

Only extremely established authors in the traditional publishing sphere have any kind of say over their book cover or typesetting design. On the other hand, self-published authors maintain control over the design of their book—both the cover and the typesetting.

This can happen in one of two ways:

  1. You can design your book yourself: If you have access to design software and an aptitude for design, you may be able to make your own book cover and typesetting. The Adobe Suite is best for this. If you do choose to DIY, however, make sure that you do your research and get in contact with your printer—they will need you to meet specific parameters.
  2. Hire a professional book designer: Whether you contract a freelance book designer or go through a self-publisher / hybrid publisher, having a professional, experience, and trade-educated book designer is always a good idea. This will mean that your book will be up to market quality and can compete with others in the genre. You’ll be able to give the designer a creative brief of what you want on the cover, and they will give you options and suggest great ideas that you might not have thought of.

2.2 Control your author persona

Many traditionally published authors are forced to have their social media accounts filtered by a marketing team. Meanwhile, as a self-published author, you have complete control over your author persona and how you present yourself to readers. More on this point later in point 4.

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3. It means having your book published quicker

Having your book published through traditional means could anywhere from 12 months and three years. This doesn’t even account for the time it takes to find and be accepted by a literary agent or the time it takes for a publisher to accept your manuscript for publishing. On the contrary, self-publishers and hybrid publishers are much quicker plus you don’t have to worry about finding a literary agent. If things go smoothly, you could be holding your book in 6-8 weeks—this is the timeline you’ll get with Green Hill Publishing. That is an undeniably more appealing timeline, right?

A short timeline like this can be especially important for those with ill loved ones, or businesses with strict deadlines that need to be met. It also means that you won’t have to wait a year or more to see your idea be fully realised and achieve the dream of being a published author.

Your timeline with self-publishing can be pushed out if you get editing, ghost writing, illustration, or other extra production services. However, if your self-publisher or hybrid publisher suggests these things, it’s usually for a reason. It’s up to you whether you decide to take it on board or not.

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4. It means getting to interact with your readership

To be in control of your author persona means that you are in charge of your social media, your book events, your launches, your website—everything. In doing this, you have the freedom to interact with your readers in your own way. You can interact with what people are posting about you as an author and your book, allowing you to answer their questions, pose your own, receive feedback, and interact with their creativity (e.g. fanart and fanfiction).

Self-published authors also have control over their own marketing. This includes promotional social media marketing, book launches and events, and author websites. When you have control over these aspects of your author persona, you can write your own blog posts, host your own livestreams and webinars, create videos and graphics, and use any number of other marketing strategies to ger your readers to interact with you and each other. This all means that you can present your author persona how you want—choosing your own aesthetic and strategies without the influence of a marketing team. This lets you show your readers the real you.

Doing all of this fosters a closer relationship between author and audience, building a community of loyal fans and helping you to appreciate your readers more.

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5. It means greater financial reward for authors

Typically, traditionally published authors only see a small percentage of their book’s profits. This can be around 10-15%. On the other hand, self-published authors receive a much higher percentage. If you put time into your publishing project—from the first spark of inspiration, to having a professionally edited and designed book, to organising printing, and finally to marketing—you as a self-published author could see 70% or more of your book’s profits. This is a much higher percentage and more fairly reflects the effort and work that you, the author, have put into your book.

For many authors, this means that their writing is funded and their career as an author is viable financially. While financial success is not guaranteed for authors—self-published and traditionally published alike—self-published authors not only receive more of their sales profits, they can better control their income and what they invest in, like publicists, agents, and their next publishing project.

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The Little Book of
Big Publishing Tips.

 

In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.

The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.

How long does it take to publish a book?

How long does it take to publish a book?

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You’ve poured your heart into your manuscript and now dream of seeing it on the shelves, but how long does it even take to publish a book? The process is very different for self-publishing and traditional publishing routes, too, making the answer even more complex.

1. The difference in timeline between traditional and self-publishing

 

When you publish a book, the path you choose can greatly impact your timeline. On average, traditional book publishing takes much longer than self-publishing. From finding a literary agent to securing a publishing deal and going through the publisher’s editorial, design, and print process, it can take 12–18 months before your book reaches the shelves.

Self-publishing, however, offers more control and speeds up the process. If you go DIY, you set your own deadlines and manage your own schedule. With assisted self-publishing, it can take a little longer, but is still fast-tracked compared to traditional publishing. With dedication, you can publish your book within 6–8 weeks after finalising your manuscript.

Whether you choose traditional publishing or self-publishing, understanding these timelines will help you plan better and achieve your book publishing goals.

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2. Preparing your content

 

2.1 From first draft to finished manuscript

Completing your first draft is a huge milestone, but it’s only the start of the journey. Turning a rough draft into a polished manuscript takes a lot of time and effort. On average, this process could take a writer several months to over a year of going through multiple rounds of self-editing, seeking feedback from beta readers, and then making even more necessary revisions.

 

2.2 Polishing your work with editing

Once you have your manuscript ready, it’s time for professional editing. Many authors often overlook this crucial step, fearing the process or thinking that self-editing is enough. Editors, however, do more than correct typos; they improve structure, flow, and consistency and are often an author’s first reader.

A thorough book edit can take a few weeks to a few months, depending on the length and complexity of your manuscript. Investing in professional editing ensures your book is polished and ready for publishing or presenting to a literary agent.

 

2.3 Your book artwork: Book cover and typesetting

People often say not to judge a book by its cover, but the truth? Everyone does. Your book cover design gives readers their first impression, so it has to be eye-catching and tell your readers what they need to know about your book. An attractive and accurate book cover grabs attention and drives sales. Additionally, professional typesetting makes your text look polished and improves the readability and overall experience of your book.

It’s not unusual to invest up to a month or more in a great cover design and proper typesetting, as it’s crucial for making your book stand out and look professionally done. Use these book publishing tips to ensure your book looks its best and attracts readers.

 

2.4 Getting your book distributed

After all of the work and time to get your manuscript and artwork ready, it’s now time to sell your book! But how do you get it into readers’ hands? Using popular distribution channels like Amazon and other online book retailers will help speed up the distribution process, making it possible to have global distribution with a matter of days.

Distributing through physical bookshops and libraries takes longer as you generally have to pitch your book to the stores and libraries yourself. With this in mind, setting up these channels can take several weeks, so plan ahead.

 

2.5 Marketing your book to its audience

Marketing is crucial for the success of any book. Start creating buzz well before the release date and continue long after. Utilise social media campaigns, book tours, and other promotional strategies to increase your book’s visibility and gather sales. Effective book marketing requires time and effort, and the marketing work never really stops, but it can significantly boost your book’s success.

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3. Outside factors that can influence your publishing timeline

 

3.1 Busy times of year

Seasonal trends, especially during the end-of-year holidays and back-to-school season, can influence publishing timelines. Like any service company, editors, publishers, and printers take time off during this time of year, so expect longer turnaround times.

 

3.2 Bulk printing

When printing a large number of copies, always factor in extra time for printing and shipping. Printers often require longer lead times for larger print orders, especially during busy seasons, so they can ensure quality. To keep a smooth printing process, communicate effectively with your printing service to get accurate timelines, but don’t bug them too often and distract them from their work. Efficient bulk printing, timely communication, and understanding print lead times are key to successful large-order printing.

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4. The work never stops when you’re a published author

 

Marketing requires ongoing commitment, not just a one-time effort. It demands consistent engagement, adapting to market trends, and deeply understanding your target audience. Effective marketing involves regularly analysing, innovating strategies, and focusing on building long-term relationships with your readership. By staying current with trends and maintaining regular interaction, you can create a successful marketing plan that drives growth and customer loyalty.

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5. The publishing timeline with Green Hill

 

Thinking of publishing with Green Hill? Great decision. At Green Hill, we pride ourselves on our efficiency in book publishing. Our streamlined book publishing process ensures a smooth journey from manuscript to published book. In just 6–8 weeks from receiving your final content, we turn your publishing dreams into reality. This efficient turnaround allows you to focus on your next creative project while we handle the details.

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Interested in publishing your book but unsure where to start or what is even involved? Tell us about your project and we will post you a copy of our:

 

The Little Book of
Big Publishing Tips.

 

In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.

The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.

Self-publishing self-sabotage

Self-publishing self-sabotage

A veteran self-publisher’s case studies

Green Hill has been serving the growing community of Australian and New Zealand self-publishers for well over a decade. And I’ve been in self-publishing in one form or another for 30 years.

While we think we’ve seen it all, each month we seem to be faced with a new challenge or a twist on an old one. Don’t get me wrong – we love our authors! And they love us or at very least respect us. Most are intelligent and sophisticated and have met with good success in their publishing endeavours. But there’s been a few (actually more than a few) who have self-sabotaged their efforts to be a successful author. For simplicity, I’ve grouped these into four categories of the most common forms of self-publishing self-sabotage I know.


IMPORTANT NOTE: These case studies have had the names, locations, book genres, personal profiles fictionalised for the purpose of protecting actual author identities and their privacy.

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Bad self-publishing idea #1: I want to be a millionaire

The aspiring author called me and asked to meet. I love meeting authors, online or on the phone or in our offices! So I was looking forward to it. This author was referred by a happy author for whom we had previously published. Its always great to start a project conversation from the base point of a happy author recommendation.

He was a 40 year old, fit looking and a little intense at first greeting. Settling down over coffee I started to show him some of our most successful books including a childrens book that had been selling extremely well on Amazon in the US.

‘Hold on before you go on I’ve got one simple question to ask’ he said, quickly taking control of the meeting.

‘I want to know how much money my book will make. How much can I bank on?’

I explained that I didn’t even know what the book was about (what was his book concept and what was the genre). Nor did I know if he had written a book before, or if he was literate – if he could write. I just couldn’t  pull a financial projection out of the hat.

‘Ok. I want this book to make a million dollars. Can you guarantee that? Its a childrens book about a dog going to the beach. A friend of mine has done some illustrations.’

When I said I that I couldn’t give him any financial guarantee, with measured anger he retorted “OK I’m out’ and within another five minutes, after I felt it kind to further his own disillusion (for his own good) he was gone and gone for good.

Another author with a similar financial goal rebuked me for being negative and said I needed to think big, watch my words and make an appointment for counselling with him as he was a Neuro Linguistic Programmer (NLP). I clearly ‘needed help’. He’d never published a book before – I’d published thousands of books. But, doing his very first book, somehow he knew better.

We have many authors who have done well financially (and many that haven’t) and many more in between. We can certainly provide some advice about the financial potential of your book.

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Bad self-publishing idea #2: I had a dream

He was a senior retired professional writing his memoir of a long and successful life. The book would never be a best seller and he understood that and wanted the book to be a record for family, friends and work colleagues.

It was well written, edited and interesting.

But there was one issue. Sometime around 1992 he had a vivid dream that stuck in his consciousness for 30 years. It was emblematic of his life journey  from early childhood and without getting too Freudian, it wrapped together a whole range of sub-conscious realities in a very surrealistic way.

‘My dream needs to be on the cover… it says everything to me. It is a portrait of everything that has deeply impacted my life.’

Reluctantly we started the book design process with a creative brief where the author and book designer discuss the book creation process. Here the book designer gets the author to clearly outline what sort of book cover they’d like to see.

The dream seemed to be long and complex with people, sounds and characters bobbing in and out of ‘screen’. When asked, the author didn’t really know what the dream meant nor could he visually describe it – when he repeatedly tried the description varied from the last.

He didn’t know how to describe the dream. And the book designer didn’t have a clue what he was on about. The cover was dutifully produced to his satisfaction. Two years later we redesigned the cover at his request.

‘I was happy with the first cover but none of the readers had any idea what it was about’ he said.

‘I got a some negative feedback.’

There are a few of lessons here:

  • never try to tell the whole story with a book cover
  • don’t design a book cover for yourself, have it designed for the reader
  • let a book design professional design the cover

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Bad self-publishing idea #3: My words are special

She was a talented actress who spent her early years in London, then Auckland working in TV and finally managing an advertising and PR agency out of Sydney. She was a confident, sharp and charismatic character but carried the scars of a personal life punctuated with a string of disappointments, failures and minor tragic events. I liked her and she liked me.

Her novel held promise with a major traditional publishing company finally dropping it after they’d sent her so many positive signals over an 18 month period even flying her to Melbourne for a meet-up discussion. She was disappointed but philosophical.

‘I’ve had a f#c$^*g gut-full – I’m going to self-publish now – let’s get it going.’

Our first step with this book was to get our senior editor to do an editing assessment – a quick read-through of a chapter or two and give a professional opinion on the writing and how it might be improved. The book was good but suffered from some relatively minor but frequent issues. These seemed to spoil the reader experience. The errors although minor were a little jarring. We suggested a low level edit of the book.

Her response;

‘my words are special – no-one’s going to touch them – I used to be an editor myself you know.’

‘I don’t want anyone meddling with my words – its my voice’.

Its remarkable how often we hear these very words. They possibly reveal why the traditional publishing company in Melbourne ‘dropped’ her. Perhaps she was unwilling for her work to be edited. I’ve never gotten to the bottom of it.

So the book was dutifully published. At the book launch someone in the audience pointed out a typo on page 123. The book died a swift natural death. The little foxes spoil the vines.

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Bad self-publishing idea #4: The media is the message

Jake was 29 years old, a university drop-out and after working most of his adult life as a barista and in tourism, then building simple websites, had launched his own company. He gained a license from a German company to sell their software products into Australia and New Zealand. He lived in northern NSW in a trendy seaside town loaded with nouveau riche and old-money and was busy recruiting staff who would help him customise the software for Aussie users. He’d started to turn a serious dollar and the value of his new car although leased, would have been enough to buy a modest apartment on the far outskirts of Adelaide.

He was focussed on using his book as a business lever. He wanted the book to be picked up by IT professionals and entrepreneurs seeking a software solution in a narrow market niche. He was unknown. And the book would get him noticed. He could write and did have something new to say. At very least he could give away his book to corporate software buyers and other influencers. He also wanted to get conference speaking gigs. This was an ideal self-publishing scenario for Green Hill – he was an author who was intelligent, capable, focussed, well funded and strategic.

One ‘small’ issue. He wanted the production values of his book to be top-notch.

‘The book needs to be hardback, full colour, I want the cover to be silver, because silver means wealth and gold foil because that’s big among the Chinese’ he said.

‘Inside I want transparent paper on a few pages, and die-cutting on the cover. Can the corners of the book be rounded? Can I get the edges of the book printed? I’ve seen that on a cookbook,’

‘And I want to be photographed… I’m going to Frankfurt, and want a photo there at the river as a backdrop’ he enthused.

Marshall Mcluahn book

Cool man! In the Age of Aquarius the media is now the message, right?

You get the idea. Marshall McLuhan in his iconic work The Medium is the Massage (sic) a few decades ago, brought the theory of “media is the message” to a receptive world audience.

If you have a quality product you need a fancy book… right? You need a quality print job… right? If you have an innovative product you need a crazy innovate book… right? The Medium is The Massage had pages of text in reverse that could only be read in a mirror.

Wrong*. That’s ‘wrong’ full-stop.

Jakes’ book was quoted at $135 per copy for a short-run print. The price made it unsalable and the print method made it unmarketable. He printed just 100 copies and the response to the book was poor. He’s still got 75 copies in his garage.

Not surprisingly Jake is a success. The 75 copies are stacked next to the Porsche. But his book didn’t help at all. Often authors go overboard on print in an attempt to bring an impressive book to market. Often sophisticated readers will question glossy book printing wondering ‘what’s the author trying to hide?’ or ‘its all smoke and mirrors, does the book and author have any substance?’*

We’ve developed our own success hierarchy in this respect starting from the top in order of importance:

  • Book concept and quality of writing (the author’s responsibility)
  • Design (Green Hill’s responsibility)
  • Print and distribution (Green Hill working with the author, printers and distributors to get it right).

Another way of viewing this is a successful book is built upon the foundation of the book concept and the quality of its writing. Self-publishing success looks much like this:Green Hill model fpor self publishing success. A pyramid with the foundation being book concept and writing then design and topped with print considerations

* Footnote: If your book features art, photography, fashion, a cookbook or anything that fits the classic coffee-table book mode, then high production values are justified or even essential.

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No Results Found

The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.

Interested in publishing your book but unsure where to start or what is even involved? Tell us about your project and we will post you a copy of our:

 

The Little Book of
Big Publishing Tips.

 

In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.

The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.