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Justification and hyphenation in book publishing is a big and somewhat technical topic. But here I’ll try to give you a 5 minute ‘crash-course’ using some images as an aid to understanding.
Hyphens are used often in writing, and while most authors are aware of their use in joining whole or partial words together, there is another common use for hyphenations in publications. This blog post aims to give some simple technical information about hyphenation so writers who aspire to become successfully published authors can understand the process. It is important to make this point—albeit a generalisation—right up-front: a book without hyphenation is a sub-professional book.
When we say “unexpected hyphenation”, we’re not talking about hyphens that are used to connect whole or part-words (like the one in “part-words”). These hyphens are common enough that almost everyone has come to expect them.
The instances where hyphenation can be unexpected for some authors are the ones that appear in a word that is not usually hyphenated where sentences break over to the next line. This type of hyphenation is not input by editors or authors, rather they appear during the design phase when the book is being laid out by the designers.
So, why is your book designer putting random hyphens in the middle of your words? Well, to start with, this is usually an automatic process handled by the design software. The designer themselves isn’t manually placing a hundred hyphens in the middle of your words for fun. But, the reason for the hyphens is that it is a standard technique for typesetting. and actually helps the readability of your book.
With that explained, the two uses for hyphens are as follows:
Why is text commonly ‘justified’ in professional book publishing?
Typography is the art and technique of arranging type to make written language legible, readable, and appealing when displayed. It involves choosing the font, colour, size, spacing, and layout of texts to deliver a clear message to the reader.
One key aspect of typography to consider in book publishing is justification. Justification refers to the alignment of text along a straight edge. In this instance, justified centred text creates a symmetrical and eye-catching layout and is commonly used in book design. Justified text is aligned along both the left and right margins and creates a clean, uniform look. It is commonly used in books and magazines as it helps to maximize space on a page and improve readability.
How justification affects readability is best shown graphically. Please note the examples shown below are exaggerated for demonstration purposes.
This format isn’t too bad but with large amounts of text it would look quite poor. The red line shows that the right part of the text area is ‘ragged’. With a large amount of text this looks messy and makes the page harder to read.
To correct this messiness a professional book typographer will deploy justification. The next image shows just how that might look. Does it look better? For me that’s an unequivocal ‘no’. While the right side is nicely straight, the justified text now has very ugly spaces between the words. The red lines emphasise this effect.
The solution to this issue is to use justification along with hyphenation. Hyphenation will appropriately break words to even out the gaps between words. This is illustrated in the image below.
Note, here the typographer has made a conscious decision to set both the hyphens i.e. the ‘-‘, and the full-stop i.e. the ‘.’, inside the red line on the right where the letters end. Does this re-introduce the very ‘messy’ justification and hyphenation we were trying to eliminate? No, the science affirms this is a very powerful typographic technique to improve the readability of large blocks of text. The reader will not actually mentally register the hyphens inside the red line.
To some authors professional typesetting using justification and hyphens has introduced something into their manuscript that was not there in the first place. But every professional book publisher and book designer knows (notwithstanding some rare technical exceptions), text that does not use hyphens screams ‘I’m an amateur author’.
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In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.
The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.
Practically every book will have at least one error, and many will have even more. Books can go through numerous rounds of edits before they’re printed and readers will still pick up on something that is incorrect. Why is this?
The process of accepting and rejecting edits in a manuscript can introduce errors into the manuscript that weren’t already there.
We find that one of the best practices authors can do after receiving their edited manuscript is to save two versions and globally accept all changes in one version. This ensures that there are no introduced errors in that manuscript, but that you can also return to the manuscript with the edits shown and see the choices that the editor has made.
You might be familiar with the proofing tip of printing out your book and reading it on paper to catch any mistakes you may be overlooking when reading it on a screen. But why does this work?
The difference between reading on a screen and off physical paper can be explained through some recent research into the matter. Reading on a screen can certainly improve some aspects of your reading, including speed and skimming, but these aren’t always conducive to picking up on errors. When reading print, however, studies show that reading comprehension and retention are increased in comparison, which makes for a much better environment for seeing and fixing errors.
This in turn means that, while you and many others have read your book while in the manuscript phase, there can be certain errors that are skimmed over because they are being read on a screen. When your book has been printed, however, these errors come out of hiding and can often be glaringly obvious.
Another reason for errors being missed in earlier stages of the book’s production is that it has yet to go through the process of typesetting. Typesetting deals with the interior layout of a book, including the following:
Each of these things, when done correctly, work to increase the readability of a book so that the experience of reading is as a smooth and enjoyable as possible. In layman’s terms, after you book has been typeset and the experience of reading has been made easier, its errors will also easier to find.
While they are professionals in their respective fields, experienced authors and editors are still human. It is virtually impossible to pick up on every error in any aspect of life—including errors in a book (and likely in this very blog post!).
This is especially true for those who have read the book multiple times. When you know the book inside and out, you can anticipate what’s to come and are more likely to skip over errors simply because your brain has already filled out what it wants to read, not what it is actually seeing.
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.
The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.