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A metaphor can be described as: a figure of speech that describes an object or action in a way that isn’t literally true, but helps explain an idea or make a comparison. https://www.grammarly.com/blog/metaphor/
‘Heart of stone’ and ‘heart of gold’ are two common ones. These present images that convey quite complex abstract concepts. Instead of saying ‘he is a very good person with good motives’ we say he has a ‘heart of gold’. The first is long-winded, ‘heart of gold’ is interesting and colourful.
Its not just about words – metaphors are a good cover design technique.
Some of the best book cover designs we have accomplished use metaphor. This avoids the book publisher’s curse – trying to convince authors not adopt a book cover with literal imagery. One author wanted this image on their book called The Fisherman – this was a literal title. Guess what the book was about? It was about a fisherman. The fisherman went to the river and fished for fish. The cover (according to the author ) needed to have a picture of a man fishing i.e. a fisherman. The result – boring, boring, boring!
When we conduct a creative brief where you the author and we, the book designer discuss how the cover design will play out – it will pay for you to think about the designer using metaphor.
Here’s a little more from Grammarly:
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In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.
The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.
The cornerstone of the traditional publishing industry is good quality content. Publishers take good quality content and wrap it in good design. The title is then placed within their well-developed marketing system.
Let’s first define “traditional publishing”. Traditional publishing is where a publisher pays you for the right to publish your work. The author needs to present their manuscript to a publisher and then negotiate a fee that the publisher will pay for use of that content. If a contract is reached it’s invariably because the publisher has assessed the quality of the manuscript as high.
A high-quality manuscript increases the chance that the book will sell and the publisher will make a nice profit (and so will you).
Traditional publishing companies – at least the successful ones – can spot a quality book and pre-empt if it will appeal to readers and if it is likely to sell well.
A literary agent works for you to find a publisher to bring your book to market. Things are so competitive that you first need to convince the literary agent to take you on. Then they need to represent your work to publishers (oft times after editing). This is a lengthy process.
Sometimes authors can go directly to publishers with samples of their writing. This is quicker than going through a literary agent. A key is selecting a publisher where your work and the genre they are most successful in publishing have good fit. But know this – many publishing houses will refuse “un-agented” manuscripts. Manuscripts that have already gone through an agent are of a higher quality (if the agent is doing their job well). Often agents will require you to have the book edited before they are prepared to present your work to a publisher.
When a manuscript arrives within a traditional publishing house, a process of quality assessment begins. This starts with the decision of the publishing company to read the manuscript. Many manuscripts don’t get read because the genre of the book is not one the publisher is familiar with or has been successful with. Or it can depend on the reputation of the literary agent placing the manuscript.
If all goes well a senior editor in the publishing company may refer the manuscript to a junior editor or editorial assistant. The assistant will make an early recommendation about how well the book will suit publishing.
The process of using an agent and having a publishing company take you on, brings with it its own process of quality control.
As a self-publisher, you can get into print without any quality control whatsoever. And that’s a problem. If you ’re expecting your title to go viral you better have a damn good book!
There are two simple things you can do to improve quality:
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.
The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.