No Results Found
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
Book publishing is a creative pursuit. Writing a book is creative. Designing a book cover is creative. Marketing a book is creative. Or is it?
Architect Jørn Utzon designed the Sydney Opera House. He used his creativity but within a constraining framework of physical laws. He designed the Opera House making sure it could withstand weather conditions, suited the geology and would not collapse under its own weight. In other words he couldn’t ignore the laws of the environment, geological realties and the law of gravity. These laws are immutable – these laws are rooted in science.
When you enter the Sydney Opera House you certainly don’t feel its about to collapse. It’s a great experience.
New authors who come to me wanting to self-publish know little about what I call the immutable laws of publishing. Full knowledge and understanding of these laws takes many years. I’ve learned some of these by trial and error (a tough way to learn). And some by being mentored by some of the best in the business.
Unfortunately many authors focus on their creative prowess while at the same time being completely ignorant of the science of book publishing.
Here are just a couple of these laws that I will then summarize in a single mega-law.
Law No. 1 Design a book cover for the market not for the author. Books that fail often do so because of a poor cover design. Poor cover designs are usually dictated – often in fine-grain detail – by the author (who might be publishing their first ever book). Green Hill’s lead designer has personally designed almost 1,000 books – does she understand the law of book cover design? Yes, she certainly does.
Law No. 2 Editing is important. This is very similar to Law No. 1. While writing is a creative pursuit, an experienced editor will use their skill and experience to make the manuscript better (in many cases superior). Authors often break this rule pushing-back on the editor with “I don’t want my writing changed” or the old classic “you’ve removed my voice”. There are immutable laws of good writing including structure and grammar that when violated are done at the author’s peril.
The mega law Successful book publishing is both art and science.
If you are a new author leave the science to the publisher and their staff i.e. book designers, book editors and book marketers. These professionals will approach the publishing of your book based on their hard won knowledge of the science shaped by empirical evidence. Publishing a good book is much about science.
Understand the ‘mega-law’ – only then will you improve the chance of your book’s success!
David Walters
Director, Green Hill Publishing
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.
The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.
So, how do you go about doing this and doing it right? How an author defines their story varies of course, but knowing the following is a good place to start:
Getting this right will give potential readers – and your designer – a launching point for understanding your book. By assigning it to a genre, you group your story in with others they may know, allowing them to immediately get a feel for your book.
Your book may fall under more than one genre, but you should limit it to no more than two. Focus on the overarching themes of your story to pick out which genre/s fit your story the most.
Stating your intended readership is much like stating your genre – there are pre-assigned notions with media intended for certain audiences that give people an idea of your book by associating them with others.
A book written for children is different from one targeted at young adult (YA) audiences, and different again from the adult market. There is a standard of content to uphold in each of these readerships and all are unique onto their own.
This doesn’t have to be a detailed recount of their tragic backstories, or a comprehensive description of what they look like. Choose a few of their defining features that characterise them the most.
Is your book set in the primary world? The secondary? Is it a recognisable location like London or Dubai, or have you set yours in a more localised or rural area? Is it completely the same as our world, or does it have a mystical/technological twist? Does everything take place on a different planet, even? This should be the easiest question to answer if you’ve already done the worldbuilding for your story.
In fiction, this would be the main issue that your characters are trying to resolve and the thing/s stopping them from doing so. Are they having to repair their skip but are stuck on a desolate planet with little supplies and no form of contact with the outside world? Are they woefully underprepared children of prophecy, but the evil is looming and everything coming to a head?
In non-fiction this could look like the main point that you are trying to get across. If your story is about a person’s life, is it a story of resilience in the face of hardship? A tale of pioneering success?
Some stories are hard to sum up in a single sentence. For your publishing team and potential readers to understand your work and get excited about it, however, you need to be able to answer the question ‘what is your story?’ as comprehensively as possible.
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.
The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.
When you’ve finally reached the end of your first draft, you’ve no doubt been living and breathing your story for months on end. You know everything that happens, when it happens, and how it happens, making it difficult to read over your work and flag issues.
Set it down, walk away, and take a mental break. This will let you come back to it with fresh eyes and a clear mind, ready to tackle inconsistencies and confusing language that you just couldn’t see before.
Seeing your work in a non-digital format helps you see it differently. When we read on a screen, we tend to skim over the words more than we do with physical ink-on-paper. So that you don’t have a mammoth pile of loose paper strewn around your workspace, there are a couple of things that you could do, depending on your style:
Whichever way you choose, make sure to adjust your manuscript to 1.5pt line spacing, get out your red pen and sticky notes, and get to work.
Reading your work out loud is a great way to catch complicated sentences, typos, missing words—you name it. If you find it difficult, have a home situation where this isn’t viable, or just generally don’t feel comfortable speaking your book out loud, there are built in functions in writing software that can read it out for you, meaning you can sit back and relax with your headphones in a notepad at the ready for dotting down corrections.
If you’re using Microsoft Word to type up your manuscript, go to ‘Review’ and click ‘Read Aloud’. If you’re a Pages user, go to ‘Edit’, ‘Speech’, and click ‘Start Speaking’. There are other apps out there (like Natural Reader and Speechify) if you use old or other software that is lacking this feature.
These are just three of the strategies you can implement to help you refine your drafts into a manuscript that’s ready for the editing process. There are plenty of authors out there with their own methods and tips for drafting their work—and plenty are more than willing to share them with other writers. Have a look through author pages and interviews with your favourite writers and see if they have something to teach you.
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.
The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.