Printing your book – how it can lead to a publishing project disaster

How important is it to get print parameters right?


Here’s a succinct warning. It’s as blunt as i can possibly be (and yes Green Hill staff tell me I can be quite blunt).

Get your print parameters wrong and you are sure to fail in self-publishing.

I hear many say… but isn’t it about the message, the literary merit of the writing, the depth of my research, the strength of my book concept, the size of the market or the currency of the issue etc.?

As a student of economics many years back at one of the most rigorous economics schools in Australia, I learned the lesson of the robustness of economic law – the principles of supply and demand – in particular the gradient (or slope) of the supply and demand curves.

Book printing disaster You can break laws but you need to get expert advice!

Just like the law of gravity you can get lift-off if you have an expensive plane and plenty of fuel. You can sell a book no matter how expensive, if you have something extra. But conventional wisdom says the dictates of economics need to be applied if you want your book to be widely distributed, e.g. through the book trade; widely read and financially successful.

Let me explain it like this. One of our authors had a perfectly marketable book but insisted on the interior (with photographs) be printed in colour. The book was so expensive it couldn’t get lift-off. That book just didn’t have enough to break through the gravitational price point at market.

Here’s the blunt advice: draw on professional knowledge and experience when putting your print deal together. 

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Interested in publishing your book but unsure where to start or what is even involved? Tell us about your project and we will post you a copy of our:

 

The Little Book of
Big Publishing Tips.

 

In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.

The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.

I want to print in China

So many books, so many print options!

We’ve printed books in China and India with great quality results.

The key to printing off-shore is finding a reliable supplier. I’ve been on the factory floor in India, China and Cambodia and printing in these locations can be rewarding but  are normally complex and fraught with financial danger. 

If you are trying to do it alone: beware!

What might seem to be a great-deal printer is likely just a broker who might be sourcing plastic rubbish bins from Bejing, shoes from Cambodia and printing from Thailand. They may be doing “what-ever turns a buck”.

So many things can go wrong with printing. Printing takes a specialist who has technical knowledge of the print and finishing process.

If you want to get a quote see our Green Asia service.

David Walters – Director

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The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.

Interested in publishing your book but unsure where to start or what is even involved? Tell us about your project and we will post you a copy of our:

 

The Little Book of
Big Publishing Tips.

 

In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.

The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.

Avoid self-publishing’s #1 pitfall: Quality

Avoid self-publishing’s #1 pitfall: Quality

Quality starts with you the author. How good is your writing and is what you are writing about wanting to be read? But there are two other key factors.

The cornerstone of the traditional publishing industry is good quality content. Publishers take good quality content and wrap it in good design. The title is then placed within their well-developed marketing system.

Let’s first define “traditional publishing”. Traditional publishing is where a publisher pays you for the right to publish your work. The author needs to present their manuscript to a publisher and then negotiate a fee that the publisher will pay for use of that content. If a contract is reached it’s invariably because the publisher has assessed the quality of the manuscript as high.

A high-quality manuscript increases the chance that the book will sell and the publisher will make a nice profit (and so will you).

Traditional publishing companies – at least the successful ones – can spot a quality book and pre-empt if it will appeal to readers and if it is likely to sell well.

A literary agent works for you to find a publisher to bring your book to market. Things are so competitive that you first need to convince the literary agent to take you on. Then they need to represent your work to publishers (oft times after editing). This is a lengthy process.

Sometimes authors can go directly to publishers with samples of their writing. This is quicker than going through a literary agent. A key is selecting a publisher where your work and the genre they are most successful in publishing have good fit. But know this – many publishing houses will refuse “un-agented” manuscripts. Manuscripts that have already gone through an agent are of a higher quality (if the agent is doing their job well). Often agents will require you to have the book edited before they are prepared to present your work to a publisher.

When a manuscript arrives within a traditional publishing house, a process of quality assessment begins. This starts with the decision of the publishing company to read the manuscript. Many manuscripts don’t get read because the genre of the book is not one the publisher is familiar with or has been successful with. Or it can depend on the reputation of the literary agent placing the manuscript.

If all goes well a senior editor in the publishing company may refer the manuscript to a junior editor or editorial assistant. The assistant will make an early recommendation about how well the book will suit publishing.

The process of using an agent and having a publishing company take you on, brings with it its own process of quality control.

As a self-publisher, you can get into print without any quality control whatsoever. And that’s a problem. If you ’re expecting your title to go viral you better have a damn good book!

There are two simple things you can do to improve quality:

  1. Green Hill can refer you to an expert editor to help your work become a better book. Editors can’t work miracles but they are often worth every cent invested.
  2. Green Hill’s standard publishing package comes with high-end book cover design. So many self-published authors unnecessarily design their own book cover and many of these designs simply kill any potential the book had of succeeding. You often need to put your cover design ideas to the side and get a skilled graphic designer with fresh eyes to design for you.

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No Results Found

The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.

Interested in publishing your book but unsure where to start or what is even involved? Tell us about your project and we will post you a copy of our:

 

The Little Book of
Big Publishing Tips.

 

In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.

The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.