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To sell your book through Amazon’s online retailing platform, you have to make an Amazon KDP account. Kindle Direct Publishing (KDP) is Amazon’s book distribution platform for self-publishing authors.
To set-up your own KDP account follow these steps:
Simple as that! Now that you’ve created your account, the next steps are to enter author/publisher information, payment details, and your tax information.
The next step is to set up your account profile. You’ll be prompted to do this once you’ve completed the sign up process:
Now it’s time to input your payment details so that you can receive your royalty payments. KDP offers a few different methods of receiving payments. This process includes direct deposits, wire transfer, or receiving a physical check. To add your bank account to your KDP account, complete the following steps:
If you don’t see your country or region, Amazon likely doesn’t support direct deposits or wire transfers to that location, so you will have to go to KDP Payment Options to find out what payment options are available to you.
Also note that the name you give for account holder’s name under “Tell us about your bank” must match the name associated with the bank account. You may not receive payments if the name doesn’t exactly match your bank records.
Whether you are publisher, individual, or non-for-profit/tax-exempt organisation, you are required to provide a valid taxpayer ID to use Amazon KDP. To input your tax information, complete the following steps:
To learn more about taxes in regards to your KDP account, go to their Tax Information page.
Amazon KDP and IngramSpark are both POD and distribution services, but they differ in their capabilities and services.
Amazon has a distribution and POD service that is exclusive to their platform, allowing authors to distribute their book online via all Amazon marketplaces and reach a global audience for both print and eBook formats. On the other hand, IngramSpark opens up a broad range of distribution channels for books printed and distributed through their system. These channels are inclusive of brick-and-mortar bookstores who are signed up to their system and multiple online platforms, including Amazon, Booktopia, and Dymocks Online.
A benefit of using Amazon KDP is that you receive a higher-than-average royalty rate for each sale of your book (usually around 60 – 70%). However, they control the prices for their products and can often set them much lower or much higher than the author wants. Contrastingly, IngramSpark authors have more control over their book’s RRP and can set it at a price reflective of their book’s worth. However, IngramSpark may give out lower royalties compared to Amazon KDP.
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In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.
The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.
Self-publishing and traditional publishing are two similar yet distinct avenues authors can use to get their writing out into the world. While both publishing solutions offer authors the opportunity to share their work, self-publishing and traditional publishing differ significantly in their approach and processes and both can be beneficial in different ways.
The appeal of self-publishing to authors is that they can maintain control over their book. It is up to the author to manage the whole process, from editing, book cover design, typesetting, printing, marketing, and distribution. The author is able to outsource the work to freelancers or an assisted self-publishing company to help them produce a more professional produce and assist them with a process they may not be familiar with. This is the difference between do-it-yourself self-publishing and assisted self-publishing. Self-published authors also typically maintain all the rights to their project and most of the royalties from the sales.
Some self-publishing endeavours can be nearly completely free for authors. This includes options such as KDP and Ingram Spark Publishing. However, if the author wants assistance with the production process, they will need to finance it themselves.
The start of a traditional publishing endeavour for most includes the author submitting their manuscript to the “slush-pile” in hopes of gaining a publishing deal. Often authors submit their manuscripts through a literary agent to up their chances of being accepted. Once accepted, the author often receives an advance payment from the publisher that is later taken out of future royalties. The publisher will then put the manuscript through the necessary processes needed to produce a book: editing, book cover design, interior design, and then to marketing, print, and distribution.
With traditional publishing, the author maintains little to no control over the production of their book. To elaborate, the publisher will take over aspects including the editing, design—even the book’s title—to make sure that the book is marketable and appeals to a wide audience. The author also receives a smaller royalty percentage on each sale than the publisher as they have to cover the production costs and turn a profit.
The lesser-know third option—hybrid publishing—is much like how it sounds. It is a hybrid model that sits somewhere between self-publishing and traditional publishing, combining elements of the two. With a hybrid publisher, the initial process will be very similar to traditional publishing, in that the author has to submit their manuscript for selection and, once approved, the hybrid publisher will undertake a variety of services such as editing, book cover design, interior typesetting, distribution, etc. The difference is that the author maintains more control over the process, like they would in self-publishing.
With any publishing endeavour, there is always financial risk involved. This is because no one can accurately predict how a book will act in the market—especially for new authors. Someone has to pay for the manuscript to go through the strenuous process of becoming a book, so who is it? First, you have to identify which type of publishing you’re considering:
While many DIY self-publishing platforms themselves offer free or relatively low-cost set-up, this do not mean that the production of the book is also free. Unless you are confident you can do everything by yourself, including editing, illustration, ISBN registration, book cover design, interior typesetting, marketing, and more, you will likely be paying for industry-trained professionals to help you with these tasks. This means that you will have to put in a lot and work and up-front payments while having no guarantee that your book will sell.
When employing the services of an assisted self-publisher, like Green Hill, you will need to pay for their services. This usually includes book cover design, interior typesetting, and ISBN registration. Some also offer editing, illustration, print, distribution, and marketing, though these might be extra to the initial package. The benefit of using an assisted self-publisher is that you can off-load much of the work compared to DIY publishing and instead be guided through the process. Be sure to do your research and find the best solution to you.
In hybrid publishing, both the author and the publisher are financially viable for the production of a book, including the editing, book cover design, interior typesetting, ISBN registration, illustration (if needed), print, distribution, and marketing. In turn, they both also receive royalty payouts; the author will usually get a higher royalty percentage per book than they would with traditional publishing.
With a traditional publishing model, the author doesn’t contribute financially to the production of the book once the publishing house takes over. The publishing houses receive their financial compensation through the sales of the book and receive a higher percentage of the profits than the author does. This means that, while the production of the book is free initially, authors are not given a high royalty for each sale.
There are a few factors to take into account when considering which publishing route is best for you, but some major ones to consider are:
Self-publishing can be done for free, but if you want to hire professionals you may be looking at paying a few thousand dollars. Traditional publishers don’t require any payment from their authors, but your manuscript has to be accepted, which can be a long and arduous process. Then, once your manuscript is selected and published, you may not see any profit return as the publisher, retailer, and wholesaler will take their cut first.
Timeline can be important for a number of reasons. Some wish to publish their book before a loved one passes, others need business publications by a certain date, and some want to publish strategically around major holidays like Christmas.
If you have a strict deadline, self-publishing is the route for you. With DIY self-publishing, you can do everything at your own pace, and the process is often still speedy with assisted self-publishing as long as nothing goes out of scope and there are no setbacks. Traditional publishers, however, can take anywhere from months to years to publish a book.
A major factor of choosing your publishing avenue is your intentions for publishing. Below are a few of the most common and which service they suit best:
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In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.
The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.
The file size of your images can indicate the quality of an image regarding size and resolution. If your image has a small file size, it means that your image will likely print at a low resolution, meaning that it will look pixelated or blurry. Trying to force the image to span a whole page would make it pixelated and blurry.
| File Size (KB) | Image Size Maximum (px) |
| Less than 10 KB | 32 px |
| 10 – 30 KB | 64 px |
| 30 – 60 KB | 128 px |
| 60 – 100 KB | 256 px |
| 100 – 200 KB | 384 px |
| 200 – 500 KB | 512 px |
| 500 – 1,000 KB | 784 px |
| More than 1,000 KB | 1,024 px |
Usually, images with enough quality to print need to be at least 1MB (1,000 KB). This again depends on the size that you want the image to be, as bigger images will need to have a higher resolution and will have more KB or MB. It’s always best to supply your publisher with as big of image files as you can. There are a few ways to ensure you do this, but we’ll discuss that a little later.
Dots per inch or DPI refers to how many dots of ink per inch a printer will put in an image when printing. So, the more dots your image has, the higher the quality when reproduced. This also means that the less dots your image has, the lower the quality of the image when reproduced.
When printing, your images need to be 300 DPI to keep their quality and reproduce well. With this in mind, you must be cautious when sourcing images from the internet. Most images online (unless you download them properly from stock websites, etc.) are set at 72 DPI, thus they will not print at a high quality. Let your publisher know that you have taken images from the internet and keep the URL of these images so your designer can check the size and quality, or so that they can more easily find another alternative at a higher resolution.
For screen publishing (i.e. for eBooks and other digital publishing mediums), 72 DPI works fine as this is the standard DPI for screens. It’s still best to let your publisher know about any images sourced from the internet, however, as copyright infringement is a possibility.
You may or may not be unfamiliar with what “CMYK” and “RGB” means and how it relates to image publishing, so we’ll go through everything starting at the basics. CMYK and RGB are both acronyms of the colours that they use to make up the colours in an image. They are both different modes of colour that are best used for different things.
The acronyms are as follows:
|
CMYK |
RGB |
|
C – Cyan (blue) M – Magenta (red-pink) Y – Yellow K – Black |
R – Red G – Green B – Blue |
With advances in technology, the answer to “what colour mode should I use for printing” has changed. CMYK was once the only option for printed images as the inks that printers used was cyan, magenta, yellow, and black. Now, however, it depends on which printing press you use. CMYK is still best when using offset printing, while RGB is best when using digital printing. Make sure to talk to your designer and publisher to figure out the best printing solution for your publishing project.
The way that traditional printers produce images is by nesting dots of different colours together to make other colours. When offset printing, the printer will mix cyan, magenta, yellow, and black together in different ways to create the colours in your image. On the other hand, when digital printing, the printer will mix red, green, and blue.
Depending on how you are looking to distribute your book (whether it is meant to be an eBook or a print book), there are different file types to understand for image publishing.
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
In just a quick 8,000 words, this little book will equip you with the knowledge you need to successfully publish your book.
The Little Book of Big Publishing tips goes into the essentials of self-publishing a book, outlining the business and financial side of publishing, legal issues, design, editing, sales and marketing. There's even a section on how to identify a vanity-publishing scam.